Beobachtete Verkäufe, Vergleichsnachweise, Künstlerindexhistorie und modellierte Forschung bleiben getrennt.
Öffentliche Verkäufe desselben Künstlers, geordnet nach Technik, Entstehungsjahr, Maßen und Aktualität des Verkaufs.
Private collection, Caracas, Venezuela
(Sotheby’s, New York, Jan. 17, 1992, no. 18 [as "attributed to Abraham Bloemaert"]; unsold)
American private collection?
(Sotheby’s, New York, private treaty sale, June 16, 1993, sold to Jack Kilgore)
(Jack Kilgore & Co., Inc., New York, sold to the Cleveland Museum of Art)
The Cleveland Museum of Art, Cleveland, Ohio
Private collection, Caracas, Venezuela (Sotheby’s, New York, Jan. 17, 1992, no. 18 [as "attributed to Abraham Bloemaert"]; unsold) American private collection? (Sotheby’s, New York, private treaty sale, June 16, 1993, sold to Jack Kilgore) (Jack Kilgore & Co., Inc., New York, sold to the Cleveland Museum of Art) The Cleveland Museum of Art, Cleveland, Ohio
Abraham Bloemaert (1566-1651) and His Time. Museum of Fine Arts, St. Petersburg, Florida, St. Petersburg, FL (organizer) (January 28-April 8, 2001).
Henry Raeburn (Scottish, 1756–1823) · 1805
Bernardo Strozzi (Italian, 1581?-1644) · 1631
Master of Santa Chiara (Italian) · 1315
Dieric Bouts (Netherlandish, 1415–1475) · 1470
Pierre Guérin (French, 1774–1833) · 1805
Abraham Bloemaert drew on traditional depictions of the Virgin and Child for this allegorical image of Charity: a woman surrounded by children, one an infant for whom she has bared her breast. Bloemaert was one of the leading proponents of the Mannerist style in the Northern Netherlands. Characteristics of that style include exaggerated figural proportions, contorted poses, heightened colors, densely packed compositions, and a deliberate eroticism—invoked here to emphasize the magnetic quality of Charity’s serene beauty.
Beobachtete Verkäufe: 0 · Vergleichsverkäufe: 0 · Provenienz: 6 · Ausstellungen: 1.