Game of Backgammon
The Cleveland Museum of Art · Gift of Mr. and Mrs. Samuel D. Wise
Museum

Game of Backgammon

1640s
David Teniers (Flemish, 1610–1690) visual detail
الفنانDavid Teniers (Flemish, 1610–1690)
عرض الفنان ←

تحليلات السوق

تُعرض سجلات المبيعات المرصودة وبيانات المبيعات المقارنة وتاريخ مؤشر الفنان والأبحاث القائمة على النماذج كلٌّ على حدة.

أدلة عامة
آخر سعر معروف—0 matched observed sales
الوسيط المرصود—
المبيعات المرصودة0
مؤشر الفنان—
لا يرتبط بهذا العمل بيع مرصود موحد ومصرح باستخدامه. لا يُعرض تاريخ أسعار مصطنع.
مؤشر الفنان غير متاحلا يوجد حساب عام مكتمل لمؤشر الفنان.سياق الفنان ليس تقييمًا لقيمة العمل.

المبيعات المقارنة

مبيعات معلنة لأعمال الفنان نفسه، مرتّبة بحسب الخامة والتقنية وسنة إنجاز العمل وأبعاده وتاريخ بيعه.

مرتبة بحسب الأدلة
لا توجد مبيعات مقارنة ذات حقوق عامة تستوفي معايير الأدلة الحالية. لا تملأ RELICT الجدول بوقائع مخصصة للبحث أو للوصول المرخص فقط.

سجل المنشأ والملكية

عام
1674-1723

Philippe II, Duke of Orléans (1674–1723), Regent of France

1723-1752

Louis I Duke of Orléans (1703–1752)

1752-1785

Louis Philippe I (1725–1785), Duke of Orléans

1785-1792

Louis-Philippe II (1747–1793), Duke of Orléans / Philippe Égalité

1792-1793

Brought to London by Thomas Moore Slade, (exhibited for sale in the Royal Academy, London, April 179...

سجل المنشأ والملكية

George Hibbert (1757–1837), London, England

-1816

Thomas Penrice (d. 1816), Great Yarmouth, England, by inheritance to John Penrice

نص تاريخ الملكية من المصدر

Philippe II, Duke of Orléans (1674–1723), Regent of France Louis I Duke of Orléans (1703–1752) Louis Philippe I (1725–1785), Duke of Orléans Louis-Philippe II (1747–1793), Duke of Orléans / Philippe Égalité Brought to London by Thomas Moore Slade, (exhibited for sale in the Royal Academy, London, April 1793) George Hibbert (1757–1837), London, England Thomas Penrice (d. 1816), Great Yarmouth, England, by inheritance to John Penrice John Penrice Sr. (1787-1844), sold, Christie's (Sale: Christie's, London, England, 07/06/1844, to Farrer) Farrer Private collection, sold, Christie's, London (Sale: Christie's, London, England, 07/17/1925, no. 119 through S. A. Hecht, London, England to Mr. and Mrs. Samuel Wise) Mr. and Mrs. Samuel D. Wise (Cleveland, Ohio), by gift to the Cleveland Museum of Art, 1943 The Cleveland Museum of Art, Cleveland, OH

The Cleveland Museum of Artالموثوقية 100%

المعارض

عام
نص المعارض من المصدر

Art: The International Language. The Cleveland Museum of Art (October 2-November 4, 1956). Images of History. Denver Art Museum, Denver, CO (organizer) (March 14-May 21, 1961). Re-presenting the Baroque. Samuel P. Harn Museum of Art (organizer) (October 1, 1997-April 1, 1998). Images of History, Denver Art Museum, CO (03/14/1961- 05/21/1961). Royal Academy, London, England (April 1793).

The Cleveland Museum of Artالموثوقية 100%

نظرة عامة موثقة بالمصادر الأدلة

The game of backgammon has a long and popular history which can be traced back many centuries. The version of the game as it is played in modern times first appeared in the 1400s under various names. Its current appellation was coined around the same time as the date of this painting. Backgammon was exceptionally popular in the 1600s, and was often played for money or other wagers. The two men on the left side of this painting are clearly involved in a high stakes game of backgammon. A three-man cluster has gathered to watch them lay their bets, while another tallies their points on a scoreboard. The young lady in the right corner of the room otherwise surrounded by men and the older women who looks down on the game of backgammon from a window, both indicate that the interior presented in this painting is probably the gaming room of a brothel. Courtesans often worked out of such game rooms, providing further entertainment for men. Depictions of games, like procurement scenes, often symbolized moralizing virtues. Games were considered at best folly and at worst immoral. Backgammon was often used to represent the foolishness or wickedness of betting and wasting one's time.

The Cleveland Museum of Artالموثوقية 100%

حالة الأدلة

المبيعات المرصودة: 0 · المبيعات المقارنة: 0 · سجل المنشأ والملكية: 14 · المعارض: 3.

Place Of OriginShort DescriptionProvenance TextExhibition HistoryCredit Line