An Elderly Man in Prayer
The Cleveland Museum of Art · Leonard C. Hanna Jr. Fund
Museum

An Elderly Man in Prayer

1660s or later
Rembrandt van Rijn (Dutch, 1606–1669) visual detail
الفنانRembrandt van Rijn (Dutch, 1606–1669)
عرض الفنان ←

تحليلات السوق

تُعرض سجلات المبيعات المرصودة وبيانات المبيعات المقارنة وتاريخ مؤشر الفنان والأبحاث القائمة على النماذج كلٌّ على حدة.

أدلة عامة
آخر سعر معروف—0 matched observed sales
الوسيط المرصود—
المبيعات المرصودة0
مؤشر الفنان—
لا يرتبط بهذا العمل بيع مرصود موحد ومصرح باستخدامه. لا يُعرض تاريخ أسعار مصطنع.
مؤشر الفنان غير متاحلا يوجد حساب عام مكتمل لمؤشر الفنان.سياق الفنان ليس تقييمًا لقيمة العمل.

المبيعات المقارنة

مبيعات معلنة لأعمال الفنان نفسه، مرتّبة بحسب الخامة والتقنية وسنة إنجاز العمل وأبعاده وتاريخ بيعه.

مرتبة بحسب الأدلة
لا توجد مبيعات مقارنة ذات حقوق عامة تستوفي معايير الأدلة الحالية. لا تملأ RELICT الجدول بوقائع مخصصة للبحث أو للوصول المرخص فقط.

سجل المنشأ والملكية

عام
including 1889-1897

Counts von Harrach, Schloss Rohrau and Vienna, Austira (inventories of 1889 and 1897, no. 218)

سجل المنشأ والملكية

Walter Bareiss (1920-2007), Zurich, Switzerland

by 1956

Charlotte Barreiss, Zurich, Switzerland

June 24, 1964

(Sale: Sotheby's, London, June 24, 1964, lot 5)

-1967

(Pinakos, Inc., New York, NY, sold to the Cleveland Museum of Art)

1967-

The Cleveland Museum of Art, Cleveland, OH

نص تاريخ الملكية من المصدر

Counts von Harrach, Schloss Rohrau and Vienna, Austira (inventories of 1889 and 1897, no. 218) Walter Bareiss (1920-2007), Zurich, Switzerland Charlotte Barreiss, Zurich, Switzerland (Sale: Sotheby's, London, June 24, 1964, lot 5) (Pinakos, Inc., New York, NY, sold to the Cleveland Museum of Art) The Cleveland Museum of Art, Cleveland, OH

The Cleveland Museum of Artالموثوقية 100%

المعارض

عام
نص المعارض من المصدر

Year in Review: 1967. The Cleveland Museum of Art, Cleveland, OH (organizer) (November 29-December 31, 1967). Dutch Art and Life in the Seventeenth Century. The Cleveland Museum of Art, Cleveland, OH (July 10-September 2, 1973). Re-presenting the Baroque. Samuel P. Harn Museum of Art (organizer) (October 1, 1997-April 1, 1998). Study purposes for Rembrandt exhibition in May 2002. National Gallery of Art (organizer). Study purposes/The Apostle Paul. National Gallery of Art, Landover, MD (organizer) (March 17, 2000-March 17, 2001). Rembrandt in America. North Carolina Museum of Art, Raleigh, NC (organizer) (October 30, 2011-January 22, 2012); The Cleveland Museum of Art, Cleveland, OH (February 19-May 28, 2012); Minneapolis Institute of Art, Minneapolis, MN (June 24-September 16, 2012). Harrach Gallery, Vienna from before 1904 to 1939. Rembrandt und Seine Zeit, Schaffhausen, Museum zu Allerheiligen, 1949: no. 141. Thirty-one paintings of the 15th-18th centuries from a Private Collection, Schaffhausen, Museum zu Allerheiligen, 1952: no. 22, (repr.) Rembrandt Tentoonstellung, Rijksmuseum, Amsterdam, May-August 1956, Rotterdam, Boymans Museum, August-October 1956, cat. no. 89, repr. p. 182 (as a "Praying Apostle") Munich, Alte Pinakothek (on loan, 1963) The Year in Review for 1967, no. 63, The Cleveland Museum of Art. Rembrandt After Three Hundred Years, Art Institute of Chicago, Oct. 25- Dec. 7, 1969, no 19. Dutch Art and Life in the Seveneteenth Century, The Cleveland Museum of Art, July 10- September 2, 1973. (no catalogue) Gainesville, FL: Samuel P. Harn Museum of Art, 10/97 - 4/19/98 Re-presenting the Baroque.(no catalogue) North Carolina Museum of Art (10/30/2011 - 1/22/2012), The Cleveland Museum of Art (2/19/2012 - 5/28/2012), and Minneapolis Institute of Arts (6/24/2012 - 9/16/2012): "Rembrandt Paintings in America: Collecting and Connoisseurship"

The Cleveland Museum of Artالموثوقية 100%

نظرة عامة موثقة بالمصادر الأدلة

Toward the end of his life, Rembrandt explored religious themes from an intimate perspective, producing a number of works for a possible Apostle series. The personal religiosity of <em>An Elderly Man in Prayer</em>, formerly attributed to Rembrandt, bears resemblance to such late works. Seated with eyes nearly closed and hands clasped in prayer over a large book, the figure appears still and introspective. While the dramatic lighting and dark color palette are reminiscent of Rembrandt's late works, this painting, formerly attributed to the artist, has since been assigned to a follower or a later eighteenth-century imitator of Rembrandt's style for reasons associated with the broad, flat brushwork of the garment, the poor handling of shadow on the hands, and the uniform treatment of the hair.

The Cleveland Museum of Artالموثوقية 100%

حالة الأدلة

المبيعات المرصودة: 0 · المبيعات المقارنة: 0 · سجل المنشأ والملكية: 6 · المعارض: 6.

Place Of OriginShort DescriptionProvenance TextExhibition HistoryCredit Line