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The Cleveland Museum of Art · Mr. and Mrs. William H. Marlatt Fund
Museum
Portrait of Francesca Gommi Maratti
c. 1701
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根拠による順位付け
来歴
公開by 1705
[presumably] Carlo Maratti and Francesca Gommi Maratti, Casino d'Albano
possibly until 1745
[possibly] by descent to their daughter, Faustina Maratti Zappi (1679–1745)
By 1911–1919
Pietro Ceci (d. 1919), Rome
1919–2004
by descent to his widow, Maria Barbani Ceci, and daughters, Feliciana Schiff-Giorgini and Adriana Mi...
2004
(Carlo Orsi, Milan)
2004–2014
Luigi Koelliker, Milan
2014–2017
(Robilant + Voena, London and Milan)
出典の来歴テキスト
[presumably] Carlo Maratti and Francesca Gommi Maratti, Casino d'Albano [possibly] by descent to their daughter, Faustina Maratti Zappi (1679–1745) Pietro Ceci (d. 1919), Rome by descent to his widow, Maria Barbani Ceci, and daughters, Feliciana Schiff-Giorgini and Adriana Misciatelli (Carlo Orsi, Milan) Luigi Koelliker, Milan (Robilant + Voena, London and Milan) (Nicholas Hall, New York, by whom sold to the Cleveland Museum of Art) The Cleveland Museum of Art, Cleveland, OH
The Cleveland Museum of Art信頼度 100%
展覧会
公開出典の展覧会テキスト
Recent Acquisitions. The Cleveland Museum of Art, Cleveland, OH (organizer) (March 17-June 7, 2018). Lust, Love, and Loss in Renaissance Europe. The David and Alfred Smart Museum of Art, Chicago, IL (organizer) (April 5-June 12, 2021). Mostra del Ritratto Italiano. Palazzo Vecchio, Florence, Italy (1911), room 26, no. 17 (as “una scultrice,” and “scuola italiano”). Carlo Maratti 1625–1713. Nicholas Hall, New York, New York (2017). Mola e il su tempo. Pittura di figura dalla Collezione Koelliker. Palazzo Chigi, Arricia, Italy (January 2–April 23 2005). Recent Acquisitions. The Cleveland Museum of Art, Cleveland, OH (March 17, 2018–June 6, 2018).
The Cleveland Museum of Art信頼度 100%
関連する公開作品
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出典付きの概要 根拠資料
In 1700 Carlo Maratti’s wife died, permitting him to marry his longtime mistress, Francesca Gommi, who began modeling for the artist in the 1670s and was the mother of his only child, Faustina. This painting was presumably painted shortly after the marriage as an homage from the artist to his new wife. To introduce an allegorical element into the composition, Maratti included a painting within a painting—in this case a drawing depicting Venus forging the love-darts of her adolescent son Cupid, suggesting that love will conquer all.
The Cleveland Museum of Art信頼度 100%
証拠の状態
観測売買: 0 · 比較売買: 0 · 来歴: 9 · 展覧会: 2.
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