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The Cleveland Museum of Art · John L. Severance Fund
Museum
Portrait of An Qi
1715
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根拠による順位付け
来歴
公開来歴
An Qi 安岐 [c. 1683–c. 1744]
来歴
Xu Bojiao 徐伯郊 [1913–2002]
来歴
Cheng Qi 程琦 [1911–1988], to his son, Stephen O. K. Chen
来歴
Stephen O. K. Chen [20th century], New York/Tokyo, sold to the Cleveland Museum of Art
1971-
The Cleveland Museum of Art, Cleveland, OH
出典の来歴テキスト
An Qi 安岐 [c. 1683–c. 1744] Xu Bojiao 徐伯郊 [1913–2002] Cheng Qi 程琦 [1911–1988], to his son, Stephen O. K. Chen Stephen O. K. Chen [20th century], New York/Tokyo, sold to the Cleveland Museum of Art The Cleveland Museum of Art, Cleveland, OH
The Cleveland Museum of Art信頼度 100%
展覧会
公開出典の展覧会テキスト
Year in Review: 1971. The Cleveland Museum of Art, Cleveland, OH (organizer) (December 28, 1971-February 6, 1972). Eight Dynasties of Chinese Painting. The Nelson-Atkins Museum of Art (November 7, 1980-January 4, 1981); The Cleveland Museum of Art (February 11-March 29, 1981); Tokyo National Museum (October 4-November 17, 1982); The Asia Society Museum, New York, NY (December 3, 1982-February 28, 1983). Portraiture: The Image of the Individual. The Cleveland Museum of Art, Cleveland, OH (organizer) (November 22, 1983-January 22, 1984). Highlights of Asian Paintings from The Cleveland Museum of Art. Nara National Museum (organizer) (February 21-March 29, 1998); Suntory Museum of Art (April 28-June 21, 1998). Inspired by Chinese Landscape and Art – Chinese Gallery Rotation 240a, 241c. The Cleveland Museum of Art (organizer) (August 14, 2017-February 5, 2018). When Salt was Gold: Yangzhou, City of Riches and Art. The Cleveland Museum of Art, Cleveland, OH (organizer) (May 12-November 5, 2023).
The Cleveland Museum of Art信頼度 100%
出典付きの概要 根拠資料
An Qi, the subject of the portrait, was a second-generation salt merchant from Korea. He used part of his wealth to collect art. At the time this painting was commissioned, An was less than 40 years old. He is represented as a Daoist recluse in nature, informally dressed with attributes such as books and a wrapped <em>guqin</em> instrument, a portrait convention for literati-scholars since the Six Dynasties period (220–589 CE). The local Taihu rock, banana plants, and crane suggest a southern garden and a life in seclusion. An’s portrait is evidence of merchants aspiring to the scholar-official class. <br><br>According to the inscription, this painting was the joint effort of three men, the eldest and most famous was Wang Hui. While the garden setting is homogenous in style, it contrasts with the application of opaque pigments and shading employed for the depiction of An Qi’s face.
The Cleveland Museum of Art信頼度 100%
証拠の状態
観測売買: 0 · 比較売買: 0 · 来歴: 5 · 展覧会: 6.
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