The Cleveland Museum of Art · Andrew R. and Martha Holden Jennings Fund

Museum

Plum Blossoms and Peonies

1741

アーティストGao Fenghan (Chinese, 1683–1749)

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素材・技法: handscroll; ink on paper
寸法: Image: 26 x 96.2 cm (10 1/4 x 37 7/8 in.); Overall: 28.9 x 534.7 cm (11 3/8 x 210 1/2 in.)
分類: Painting
様式: ASIAN - Handscroll
出所: China, Qing dynasty (1644-1911)
機関: The Cleveland Museum of Art
入金: Andrew R. and Martha Holden Jennings Fund

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来歴

公開

?–1980

(James J. Freeman, Kyoto, Japan, sold to the Cleveland Museum of Art)

1980–

The Cleveland Museum of Art, Cleveland, OH

出典の来歴テキスト

(James J. Freeman, Kyoto, Japan, sold to the Cleveland Museum of Art) The Cleveland Museum of Art, Cleveland, OH

The Cleveland Museum of Art信頼度 100%

展覧会

公開

Year in Review: 1980

Layers of Meaning: China’s Flora and Fauna in Painting and on Porcelain

出典の展覧会テキスト

Year in Review: 1980. The Cleveland Museum of Art (organizer) (June 24-July 19, 1981). Layers of Meaning: China’s Flora and Fauna in Painting and on Porcelain. The Cleveland Museum of Art, Cleveland, OH (organizer) (November 6, 2020-June 6, 2021). Eight Dynasties of Chinese Painting. The Nelson-Atkins Museum of Art (November 7, 1980-January 4, 1981); The Cleveland Museum of Art (February 10-March 29, 1981); Tokyo National Museum (October 4-November 17, 1982). Main Asian Gallery Rotation (Gallery 122). The Cleveland Museum of Art, Cleveland, OH (March 10-April 7, 2004). Main Asian Rotation (Gallery 242). The Cleveland Museum of Art, Cleveland, OH (July 28, 2014-January 7, 2015).

The Cleveland Museum of Art信頼度 100%

出典付きの概要根拠資料

One of the so-called Yangzhou Eccentrics (a group of painters who lived in Yangzhou and were known for their unorthodox art and lifestyle), Gao Fenghan depicts China’s two most loved flowers in full bloom—the “cold beauty,” or plum blossom, in the first section, and the “king of flowers,” or peony, in the second section. Painted in 1741, the year when Gao decided to leave the south and return home to Shandong province in eastern China, this work was likely a token of farewell. His casual brushwork may indicate his mental and physical struggle at the time. After having crippled his right hand in 1737, Gao used his left hand to paint and achieved a crudeness and eccentric style unattainable before.

The Cleveland Museum of Art信頼度 100%

証拠の状態

観測売買: 0 · 比較売買: 0 · 来歴: 2 · 展覧会: 2.

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