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Paintings after Ancient Masters:Travelers in an Autumn Landscape
The Cleveland Museum of Art · John L. Severance Fund
Museum

Paintings after Ancient Masters:Travelers in an Autumn Landscape

1598–1652
Chen Hongshou (Chinese, 1598/99–1652) visual detail
アーティストChen Hongshou (Chinese, 1598/99–1652)
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来歴

公開
来歴

Weng Tonghe 翁同龢 [1830–1904], by descent to Wango H. C. Weng

?–1979

(Wango H. C. Weng 翁萬戈 [1918–2020], Lyme, NH, sold to the Cleveland Museum of Art)

1979–

The Cleveland Museum of Art, Cleveland, OH

出典の来歴テキスト

Weng Tonghe 翁同龢 [1830–1904], by descent to Wango H. C. Weng (Wango H. C. Weng 翁萬戈 [1918–2020], Lyme, NH, sold to the Cleveland Museum of Art) The Cleveland Museum of Art, Cleveland, OH

The Cleveland Museum of Art信頼度 100%

展覧会

公開
出典の展覧会テキスト

Eight Dynasties of Chinese Painting. The Nelson-Atkins Museum of Art (November 7, 1980-January 4, 1981); The Cleveland Museum of Art (February 11-March 29, 1981); Tokyo National Museum (October 4-November 17, 1982); The Asia Society Museum, New York, NY (December 3, 1982-February 28, 1983). CMA, February 11 - March 29, 1981: "Eight Dynasties of Chinese Painting," cat. no. 207 pp. 268-272, repr. p. 270, figure 207 O Also to: Kansas City, MO, The Nelson-Atkins Museum, 11/5/80 - 1/4/81 And to: Tokyo, Japan, Tokyo National Museum, 10/4/82 - 11/17/82 as "Chinese Painting from the Two Distinguished American Museums" Approved: Trustees' Minutes 12/18/80

The Cleveland Museum of Art信頼度 100%

出典付きの概要 根拠資料

The twenty paintings in this double-album by Chen Hongshou include landscapes, figures, and flowers. It also has one leaf featuring a woman, an often-used subject not found in the other albums from the latter part of his career. His late works are wonderful summations of Chen's peculiar and quirky art--archaistic, hyper-refined--but without accompanying shallowness or sentimentality.<br><br>His figures and landscapes in the late albums are miniaturized, not unlike the small Chinese gardens, or the carefully selected small table rocks or old roots used for contemplation to see the world in miniature. This loss of scale is quite deliberate and reflects the psychological situation of a depressed class like the Ming loyalist officials and scholars, deprived of their integrity and honor, and forced to lead a diminished and restricted existence.

The Cleveland Museum of Art信頼度 100%

証拠の状態

観測売買: 0 · 比較売買: 0 · 来歴: 3 · 展覧会: 1.

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