Duck in Flight

The Cleveland Museum of Art · Seventy-fifth anniversary gift of Leighton Longhi in memory of Yabumoto Soshiro

Museum

Duck in Flight

mid-1500s

アーティストShikibu Terutada (Japanese, active mid-1500s)

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素材・技法: fan painting mounted as hanging scroll; ink and gold on paper
寸法: Painting: 25 x 50.2 cm (9 13/16 x 19 3/4 in.); Mounted: 99.8 x 65.2 cm (39 5/16 x 25 11/16 in.)
分類: Painting
様式: ASIAN - Hanging scroll
出所: Japan, Muromachi period (1392–1573)
機関: The Cleveland Museum of Art
入金: Seventy-fifth anniversary gift of Leighton Longhi in memory of Yabumoto Soshiro

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来歴

公開

?–1992

Leighton R. Longhi [1944–2024], New York, NY, given to the Cleveland Museum of Art

1992–

The Cleveland Museum of Art, Cleveland, OH

出典の来歴テキスト

Leighton R. Longhi [1944–2024], New York, NY, given to the Cleveland Museum of Art The Cleveland Museum of Art, Cleveland, OH

The Cleveland Museum of Art信頼度 100%

展覧会

公開

Signs of Affection: Gifts Honoring the Museum's 75th Anniversary

Reeds and Geese: Japanese Art from the Collection of George Gund III

出典の展覧会テキスト

Signs of Affection: Gifts Honoring the Museum's 75th Anniversary. The Cleveland Museum of Art, Cleveland, OH (organizer) (October 27, 1992-January 3, 1993). Reeds and Geese: Japanese Art from the Collection of George Gund III. The Cleveland Museum of Art, Cleveland, OH (organizer) (May 21-September 3, 2017). Main Asian Rotation (G121). The Cleveland Museum of Art, Cleveland, OH (October 26, 2003-March 12, 2004).

The Cleveland Museum of Art信頼度 100%

出典付きの概要根拠資料

These three fan-shaped paintings, now mounted as individual hanging scrolls, were once part of a set of 20 mounted on a folding screen. They portray the Chinese subjects, from left to right, of the scholar-official Pan Lang, Hanshan reciting his poetry to Shide, and a duck in flight above reeds. Pan Lang grew so fond of the mountain in his place of exile that when he was ordered back to the capital, he rode backward on his donkey so he could see it until it receded into the distance. Hanshan and Shide worked in the kitchen of a Zen monastery, but were actually reincarnations of the bodhisattvas Manjushri and Samantabhadra. The combination of a mandarin duck and reeds may have signified a level of attainment in Chinese civil service exams. All three paintings bear the seal of the Kantobased artist Shikibu Terutada. Shikibu was familiar with Kano school painting, but he also modeled his early style after that of the prominent Kanto-based Kenkō Shōkei (active about 1470–after 1523).

The Cleveland Museum of Art信頼度 100%

証拠の状態

観測売買: 0 · 比較売買: 0 · 来歴: 2 · 展覧会: 2.

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