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Album of Seasonal Landscapes, Leaf D (previous leaf 2)
The Cleveland Museum of Art · John L. Severance Fund
Museum

Album of Seasonal Landscapes, Leaf D (previous leaf 2)

1668
Xiao Yuncong (Chinese, 1596–1673) visual detail
アーティストXiao Yuncong (Chinese, 1596–1673)
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来歴

公開
来歴

Chen Yixi 陳奕禧 [1648–1709]

来歴

Li Yufen 李玉棻 [mid-1800s], Yangzhou, China

来歴

Wu Hufan 吳湖帆 [1894–1968], Shanghai, China

来歴

Qin Tongli 秦通理 [early 1900s]

?–1955

(Frank Caro [1904–1980], New York, NY, sold to the Cleveland Museum of Art)

1955–

The Cleveland Museum of Art, Cleveland, OH

出典の来歴テキスト

Chen Yixi 陳奕禧 [1648–1709] Li Yufen 李玉棻 [mid-1800s], Yangzhou, China Wu Hufan 吳湖帆 [1894–1968], Shanghai, China Qin Tongli 秦通理 [early 1900s] (Frank Caro [1904–1980], New York, NY, sold to the Cleveland Museum of Art) The Cleveland Museum of Art, Cleveland, OH

The Cleveland Museum of Art信頼度 100%

展覧会

公開
出典の展覧会テキスト

The Colors of Ink. Asia House Galleries (January 10-March 3, 1974); The Cleveland Museum of Art, Cleveland, OH (organizer) (April 9-May 12, 1974). The Plum Scenery Studio: Wu Hufan and His Circle in Modern Shanghai. The Cleveland Museum of Art, Cleveland, OH (organizer) (May 31-November 8, 2026). Conference on Oriental-Western Literary and Cultural Relations. Indiana University, Bloomington, IN (1974). Eight Dynasties of Chinese Painting. The Nelson-Atkins Museum of Art (November 7, 1980-January 4, 1981); The Cleveland Museum of Art (February 10-March 29, 1981); Tokyo National Museum (October 4-November 17, 1982).

The Cleveland Museum of Art信頼度 100%
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出典付きの概要 根拠資料

Throughout his lifetime, Xiao Yuncong visited Nanjing and Yangzhou, cities embedded in the fertile and water-rich Jiangnan region, as reflected in his paintings. Xiao painted from nature, and his landscapes are informed by the seasons and his travels, as well as by his experience as a print designer. Xiao’s fresh, light colors continue to appear in later Shanghai school paintings. <br><br>This album was formerly in the collection of Li Yufen in Yangzhou and then owned by Wu Hufan in Shanghai. While the artist impressed his seal consistently below his poetic inscriptions in the upper parts of the composition, the red seals on the margins and in the lower corners of the paintings are impressions by the album’s previous owners.

The Cleveland Museum of Art信頼度 100%

証拠の状態

観測売買: 0 · 比較売買: 0 · 来歴: 6 · 展覧会: 2.

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