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Vendite pubbliche dello stesso artista ordinate per tecnica, anno di creazione, dimensioni e data di vendita.
Vendite osservate, prove comparabili, storia dell’indice artista e ricerche modellate restano distinti.
Vendite pubbliche dello stesso artista ordinate per tecnica, anno di creazione, dimensioni e data di vendita.
Second Exhibition of Contemporary American Painting. The Cleveland Museum of Art, Cleveland, OH (organizer) (June 8-July 10, 1922). The Twentieth Anniversary Exhibition: The Official Art Exhibit of the Great Lakes Exposition. The Cleveland Museum of Art, Cleveland, OH (organizer) (June 26-October 4, 1936). Retrospective Twenty-fifth Anniversary May Show. The Cleveland Museum of Art, Cleveland, OH (organizer) (January 13-February 14, 1943). Henry G. Keller Memorial Exhibition. The Cleveland Museum of Art, Cleveland, OH (February 1-March 19, 1950). Work of Cleveland Artists for the 41st Annual Meeting of the College Art Association. The Cleveland Institute of Art, Cleveland, OH (organizer) (January 29-31, 1953). Men of the Armory Show. Miami University, Oxford , OH (organizer) (January 1-February 1, 1956). The Armory Show, 50th Anniversary Exhibition. Munson Museum of Art, Utica, NY (organizer) (February 17-April 28, 1963); Henry Street Settlement, New York, NY (April 6-28, 1963). May Show Retrospective - 50 Years. The Cleveland Museum of Art (April 23-June 16, 1968). Burchfield / Keller. Burchfield Penney Art Center, Buffalo, NY (organizer) (June 24-August 13, 1973). Cleveland Art Comes of Age: 1919-1940. The Cleveland Museum of Art, Cleveland, OH (organizer) (June 28-September 10, 1989). Transformations in Cleveland Art, 1796-1946. The Cleveland Museum of Art, Cleveland, OH (organizer) (May 19-July 21, 1996). To Be or Not To Be: 400 Years of Vanitas Painting. Flint Institute of Arts, Flint, MI (organizer) (February 4-April 2, 2006).
Henry Keller championed modern art in Cleveland through lectures, teaching, and the example of his own work. <em>Wisdom and Destiny</em>, based on an essay by the Belgian writer Maurice Maeterlinck, features the two allegorical figures at the right, while a carefree shepherd at the left seems oblivious to their existence. The painting was featured in the famed Armory Show of 1913, a large-scale traveling exhibition often credited with introducing the American public to avant-garde art. Because of the critical success surrounding <em>Wisdom and Destiny</em>, Keller was commissioned to create a 70-foot mural of the composition for Cleveland City Hall. However, he resentfully withdrew from the project when asked to paint clothing on the nude figure.
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