The Crucifixion

The Cleveland Museum of Art · Holden Collection

Museum

The Crucifixion

c. 1360s

ArtistaAndrea da Firenze (Italian, 1379)

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Tecnica: tempera and gold on wood (walnut)
Dimensioni: Unframed: 31 x 13.4 cm (12 3/16 x 5 1/4 in.)
Classificazione: Painting
Stile: MED - Medieval Art
Origine: Italy, Florence
Istituzione: The Cleveland Museum of Art
Accredito: Holden Collection

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Provenienza

Pubblico

By 1858-1889

Minor K. Kellogg (1814-1889), Paris, France and Cleveland, Ohio

1889-1913

Liberty E. Holden (1833-1913), Cleveland, Oh, by inheritance to his wife, Delia E. Bulkley Holden

1913-1916

Delia E. Bulkley Holden (1871-1947), Cleveland, Oh, bequeathed to the Cleveland Museum of Art

1916-

The Cleveland Museum of Art, Cleveland, Oh

Testo di provenienza della fonte

Minor K. Kellogg (1814-1889), Paris, France and Cleveland, Ohio Liberty E. Holden (1833-1913), Cleveland, Oh, by inheritance to his wife, Delia E. Bulkley Holden Delia E. Bulkley Holden (1871-1947), Cleveland, Oh, bequeathed to the Cleveland Museum of Art The Cleveland Museum of Art, Cleveland, Oh

The Cleveland Museum of ArtAffidabilità 100%

Mostre

Pubblico

Inaugural Exhibition

The Twentieth Anniversary Exhibition: The Official Art Exhibit of the Great Lakes Exposition

Testo mostre della fonte

Inaugural Exhibition. The Cleveland Museum of Art, Cleveland, OH (organizer) (co-organizer) (June 6-September 20, 1916). The Twentieth Anniversary Exhibition: The Official Art Exhibit of the Great Lakes Exposition. The Cleveland Museum of Art, Cleveland, OH (organizer) (June 26-October 4, 1936). Indiana University Art Museum, Bloomington, Indiana (March 25-April 22, 1977).

The Cleveland Museum of ArtAffidabilità 100%

Opere pubbliche collegate

Opere visivamente affini

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The Parrot Addresses Khujasta at the Beginning of the Seventh Night, from a Tuti-nama (Tales of a Parrot)

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Sophie Crouzet

Sophie Crouzet

Louis Hersent (French, 1777–1860) · 1796

Silver Wine Jug, Ham, and Fruit

Silver Wine Jug, Ham, and Fruit

Abraham van Beyeren (Dutch, 1620/21–1690) · 1660

Panoramica documentata Evidenze

This panel was probably part of a small altarpiece of private devotion. The artist was active in Florence and Siena following the Black Death, which began in the late 1340s. His works, like others created during that troubled time, are charged with emotion.

The Cleveland Museum of ArtAffidabilità 100%

Stato delle prove

Vendite osservate: 0 · Vendite comparabili: 0 · Provenienza: 4 · Mostre: 2.

Place Of OriginShort DescriptionProvenance TextExhibition HistoryCredit Line