Indietro
Shurpanakha demands vengeance, from the "Shangri" Ramayana
The Cleveland Museum of Art · Purchase and partial gift from the Catherine and Ralph Benkaim Collection; Severance and Greta Millikin Purchase Fund
Museum

Shurpanakha demands vengeance, from the "Shangri" Ramayana

c. 1700

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Provenienza

Pubblico
?–1956

Unknown

1956–July 1969

(Walter LeRoy Randel Jr. [b. 1932], New York, NY, sold to Ralph Benkaim)

July 1969–2018

Catherine and Ralph Benkaim Collection, Los Angeles, CA

2018–

The Cleveland Museum of Art, Cleveland, OH

Testo di provenienza della fonte

Unknown (Walter LeRoy Randel Jr. [b. 1932], New York, NY, sold to Ralph Benkaim) Catherine and Ralph Benkaim Collection, Los Angeles, CA The Cleveland Museum of Art, Cleveland, OH

The Cleveland Museum of ArtAffidabilità 100%

Mostre

Pubblico
Testo mostre della fonte

Indian Gallery 242 Rotation. The Cleveland Museum of Art (organizer) (September 10, 2018-April 7, 2019). Imagining Rama’s Journey. The Cleveland Museum of Art, Cleveland, OH (organizer) (March 10-September 17, 2023). Epic of the Northwest Himalayas: Pahari Paintings from the “‘Shangri’ Ramayana”. The Cleveland Museum of Art, Cleveland, OH (organizer) (April 19-August 16, 2026). The Rama Epic: Hero, Heroine, Ally, Foe. Asian Art Museum of San Francisco, San Francisco, CA (organizer) (October 21, 2016-January 15, 2017). Frist Art Museum, Nashville, TN (February 20-May 29, 2011); Brooklyn Museum, Brooklyn, NY (June 24-October 2, 2011).

The Cleveland Museum of ArtAffidabilità 100%
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Panoramica documentata Evidenze

In a dramatic climax, the artists introduce the demon king, Ravana (the Howler), archvillain of the <em>Ramayana</em>. He has 10 crowned heads and 20 arms. He grasps a different deadly weapon in each hand; they reveal his supreme powers. The demon Shurpanakha’s nose and ears are healing, but her desire for revenge is stronger than ever. She gestures emphatically at her brother Ravana, urging him to find a way to destroy Rama, perhaps by kidnapping Rama’s wife. More gold has been lavished on this painting than any other known from the <em>“Shangri” Ramayana</em>, suggesting that it is meant to stand out as a scene of primary importance.

The Cleveland Museum of ArtAffidabilità 100%

Stato delle prove

Vendite osservate: 0 · Vendite comparabili: 0 · Provenienza: 4 · Mostre: 3.

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