Samantabhadra

The Cleveland Museum of Art · Mr. and Mrs. William H. Marlatt Fund

Museum

Samantabhadra

1100s

Tecnica: hanging scroll; ink and color on silk
Dimensioni: Image: 114.8 x 55.1 cm (45 3/16 x 21 11/16 in.); Mounted: 208.6 x 75.4 cm (82 1/8 x 29 11/16 in.)
Classificazione: Painting
Stile: ASIAN - Hanging scroll
Origine: China, Southern Song dynasty (1127-1279)
Istituzione: The Cleveland Museum of Art
Accredito: Mr. and Mrs. William H. Marlatt Fund

Analisi di mercato

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Provenienza

Pubblico

?–1962

(Osborne I. Hauge [1913–2004] and Victor L. Hauge [1919–2013], Falls Church, VA, sold to the Clevela...

1962–

The Cleveland Museum of Art, Cleveland, OH

Testo di provenienza della fonte

(Osborne I. Hauge [1913–2004] and Victor L. Hauge [1919–2013], Falls Church, VA, sold to the Cleveland Museum of Art) The Cleveland Museum of Art, Cleveland, OH

The Cleveland Museum of ArtAffidabilità 100%

Mostre

Pubblico

Year in Review - 1962

Asian Autumn: Masterpieces from the Collection

Eight Dynasties of Chinese Painting

Facing the Ancestors: Chinese Portraits and Figure Painting – Chinese Gallery Rotation 240a, 241c

Testo mostre della fonte

Year in Review - 1962. The Cleveland Museum of Art, Cleveland, OH (organizer) (October 24-November 25, 1962). Eight Dynasties of Chinese Painting. The Nelson-Atkins Museum of Art (November 7, 1980-January 4, 1981); The Cleveland Museum of Art (February 11-March 29, 1981); Tokyo National Museum (October 4-November 17, 1982). Asian Autumn: Masterpieces from the Collection. The Cleveland Museum of Art, Cleveland, OH (organizer) (September 17, 1991-January 5, 1992). Facing the Ancestors: Chinese Portraits and Figure Painting – Chinese Gallery Rotation 240a, 241c. The Cleveland Museum of Art (organizer) (August 12, 2019-February 2, 2020). Exhibited with CMA material at reopening of Museum. The Cleveland Museum of Art, Cleveland, OH (1958). Southern Sung. Asia House Gallery, New York, NY (1962). Main Asian Rotation (Gallery 119). The Cleveland Museum of Art, Cleveland, OH (October 29, 2003-March 15, 2004).

The Cleveland Museum of ArtAffidabilità 100%

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Panoramica documentata Evidenze

In the last chapter of the Lotus Sutra, one of the principal Buddhist texts, the great Bodhisattva Samantabhadra is described advancing to earth, riding on a six-tusked elephant, and proclaiming himself protector of the faithful. More frequently, he is shown with Bodhisattva Manjusri as the attendants of Shakyamuni (the historical Buddha). This scroll is probably the left panel in a triptych (group of three paintings) portraying these deities.

The Cleveland Museum of ArtAffidabilità 100%

Stato delle prove

Vendite osservate: 0 · Vendite comparabili: 0 · Provenienza: 2 · Mostre: 4.

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