Saint Nicholas of Bari
Saint Nicholas of Bari detail Saint Nicholas of Bari detail
The Cleveland Museum of Art
Museum

Saint Nicholas of Bari

1472
Carlo Crivelli (Italian, 1430/35–1495) visual detail
ArtistaCarlo Crivelli (Italian, 1430/35–1495)
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Analisi di mercato

Vendite osservate, prove comparabili, storia dell’indice artista e ricerche modellate restano distinti.

Prove pubbliche
Ultimo prezzo noto $30,000 Dealer sale · Mar 31, 1952
+796.9% vs previous observed sale
Cronologia prezzi abbinata · USD normalizzati · Foundry provvisorio
1951 · $3,3451952 · $30,000
$3K1951
$30K1952
Ultimo prezzo noto$30,0002 matched observed sales
Mediana osservata$16,673
Vendite osservate2
Indice artista896.9
1952-03-31Dealer sale$30,000.00
1951-12-31Dealer purchase$3,345.00
Contesto indice artistaLatest public build 896.9 · base 100 · n=1.Il contesto dell’artista non è una valutazione dell’opera.

Vendite comparabili

Vendite pubbliche dello stesso artista ordinate per tecnica, anno di creazione, dimensioni e data di vendita.

Ordinato per prove
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Provenienza

Pubblico
Provenienza

Cardinal Fesch (Rome sale 1845); W. Davenport-Bromley, Wooton Hall (London sale 1863); Baroness Kerb...

Testo di provenienza della fonte

Cardinal Fesch (Rome sale 1845); W. Davenport-Bromley, Wooton Hall (London sale 1863); Baroness Kerbeck, Paris; (Knoedler)

The Cleveland Museum of ArtAffidabilità 100%

Mostre

Pubblico
Testo mostre della fonte

In Memoriam: Leonard C. Hanna, Jr.. The Cleveland Museum of Art, Cleveland, OH (organizer) (March 4-April 7, 1958). Art and Humanism in the Renaissance. The Cleveland Museum of Art, Cleveland, OH (organizer) (January 23-February 25, 1962). Ornament and Illusion: Carlo Crivelli of Venice. Isabella Stewart Gardner Museum, Boston, MA (organizer) (October 22, 2015-January 25, 2016). Glory of Venice: Renaissance Paintings 1470–1520. North Carolina Museum of Art, Raleigh, NC (March 4-June 1, 2017). Isabella Stewart Gardner Museum, Biston, MA (10/22/2015 - 1/25/2016): "Ornament and Illusion: Carlo Crivelli of Venice" cat. no. 3, p. 39. North Carolina Museum of Art, Raleigh, NC (3/4/2017 – 6/18/2017): "Glory of Venice: Renaissance Paintings 1470–1520"

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Panoramica documentata Evidenze

Saint Nicolas of Bari, patron saint of children, sailors, and travelers, and the prototype of Father Christmas, was bishop of Myra (Lycia) in Asia Minor during the AD 300s. His remains were said to have been taken to Bari in Italy during the 11th century. The saint is shown vested as bishop in an elaborately embroidered cope, fastened with a morse, and holding a crosier. <br><br>By the mid-1400s, most Florentine artists had stopped using gold backgrounds in their pictures, preferring instead naturalistic backgrounds of landscapes and blue skies. However, elsewhere in Italy gold-ground painting remained popular, as in this painting by Crivelli, a a painter of conservative Late Gothic decorative sensibility, who spent his early years in the Veneto where he absorbed influences from the Vivarini, Squarcione, and Mantegna. By 1458 he left the Veneto and was never to return; he spent most of the remainder of his career in the March of Ancona, where he developed a distinctive personal style that makes a contrast to his Venetian contemporary Giovanni Bellini.

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Stato delle prove

Vendite osservate: 2 · Vendite comparabili: 0 · Provenienza: 1 · Mostre: 4.

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