Vendite osservate, prove comparabili, storia dell’indice artista e ricerche modellate restano distinti.
Vendite pubbliche dello stesso artista ordinate per tecnica, anno di creazione, dimensioni e data di vendita.
Claude Ashley Charles Ponsonby (1859-1935), London, England
(Sale: Christie's, London, March 28,1908 to Mori)
James Hamet Dunn (1874-1956), St. Andrews, New Brunswick, Canada
[Bacri Brothers, Paris, France]
John L. Severance (1863-1936), Cleveland, OH, gifted to the Cleveland Museum of Art
The Cleveland Museum of Art, Cleveland, OH
Claude Ashley Charles Ponsonby (1859-1935), London, England (Sale: Christie's, London, March 28,1908 to Mori) James Hamet Dunn (1874-1956), St. Andrews, New Brunswick, Canada [Bacri Brothers, Paris, France] John L. Severance (1863-1936), Cleveland, OH, gifted to the Cleveland Museum of Art The Cleveland Museum of Art, Cleveland, OH
Exhibition of the John L. Severance Collection. The Cleveland Museum of Art, Cleveland, OH (November 12, 1942-March 14, 1943). Exhibition of Works by the Old Masters, and Deceased Masters of the British School including a Collection of Watercolors and Chalk Drawings, Royal Academy of Arts, Burlington House, London, England (January 7-March 16, 1907). Primitifs Flamands Anonymes, Groeningemuseum, Bruges, (June 14- Sept. 21, 1969). The Twentieth Anniversary Exhibition, The Cleveland Museum of Art Cleveland, OH (June 26-October 12, 1936).
Saint Barbara holds both a book and a ring symbolizing her scholarly pursuits and union with God. According to legend, the leather thongs with which she was beaten were transformed into peacock plumes. This painting and one other in the collection (1942.633.1) were originally the wings of an altarpiece flanking a central panel, now lost, that may have depicted the Holy Family. The identity of this artist is unknown, but he is named for a painting in the Chapel of the Holy Blood in Bruges. <br><br>Bruges flourished as an international commercial center through the 1400s and early 1500s. Among its residents were many foreign merchants and bankers who, along with the Burgundian court, patronized artists and attracted specialized craftsmen such as furriers, hatters, jewelers, and goldsmiths. Bruges’s artistic production in the 1400s included celebrated artists like Jan van Eyck, Petrus Christus, Hans Memling, and Gerard David who painted large altarpieces, small panels for private devotion, and portraits. Bruges also remained an important center for the production of illuminated manuscripts.
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