Vendite osservate, prove comparabili, storia dell’indice artista e ricerche modellate restano distinti.
Vendite pubbliche dello stesso artista ordinate per tecnica, anno di creazione, dimensioni e data di vendita.
James Jackson Jarves (after 1872, 1884); Mrs. Liberty E. Holden
James Jackson Jarves (after 1872, 1884); Mrs. Liberty E. Holden
Inaugural Exhibition. The Cleveland Museum of Art, Cleveland, OH (organizer) (co-organizer) (June 6-September 20, 1916). The Twentieth Anniversary Exhibition: The Official Art Exhibit of the Great Lakes Exposition. The Cleveland Museum of Art, Cleveland, OH (organizer) (June 26-October 4, 1936). Classic to Baroque: A Style Change in the Arts. The Cleveland Museum of Art, Cleveland, OH (organizer) (September 30-November 13, 1949). Art and Humanism in the Renaissance. The Cleveland Museum of Art, Cleveland, OH (organizer) (January 23-February 25, 1962). Jan van Eyck, Early Netherlandish Painting and the South of Europe. Groeningemuseum, Stedelijke Musea, Brugge, Belgium (March 15-June 30, 2002). Bruges, Belgium. Groenigemuseum (3/15/2002-6/30/2002), "Jan van Eyck, Early Netherlandish Painting and the South of Europe", exh. cat. 95, fig. 144, p123.
Sōami (Japanese, d. 1525) · 1500
Simon Vouet (French, 1590–1649) · 1625
Puming (Xuechuang) (Chinese, active before 1274-after 1329) · 1250
Artista · 1800
Thomas Sully (American, born England, 1783–1872) · 1813
Prominent art historians still debate the identity of the artist and the original function of this painting. First attributed to the Neapolitan artist Colantonio (active 1440-1460) and also to the Flemish painter Berthélemy d'Eyck--known as the Master of the Aix Annunciation (active 1440-1470)--the painting is now more likely considered a product of the Provençal school. Undoubtedly it exemplifies the stylistic influences of the Netherlands, Provence, and Italy in the 1400s. The subject may be either a physician or an Old Testament prophet from an altarpiece.
Vendite osservate: 0 · Vendite comparabili: 0 · Provenienza: 1 · Mostre: 5.