Vendite osservate, prove comparabili, storia dell’indice artista e ricerche modellate restano distinti.
Vendite pubbliche dello stesso artista ordinate per tecnica, anno di creazione, dimensioni e data di vendita.
Li Enqing 李恩慶 [19th century]
(Wan-go H. C. Weng 翁萬戈 [1918–2020], Lyme, NH, sold to the Cleveland Museum of Art)
The Cleveland Museum of Art, Cleveland, OH
Li Enqing 李恩慶 [19th century] (Wan-go H. C. Weng 翁萬戈 [1918–2020], Lyme, NH, sold to the Cleveland Museum of Art) The Cleveland Museum of Art, Cleveland, OH
1000 Jahre Chinesische Malerei. Haus der Kunst, Munich, Mùnich, Germany (organizer) (October 16-December 13, 1959). Eight Dynasties of Chinese Painting. The Nelson-Atkins Museum of Art (November 7, 1980-January 4, 1981); The Cleveland Museum of Art (February 11-March 29, 1981); Tokyo National Museum (October 4-November 17, 1982); The Asia Society Museum, New York, NY (December 3, 1982-February 28, 1983). Year in Review: 1980. The Cleveland Museum of Art (organizer) (June 24-July 19, 1981). Mountains, Rocks, and Water: Landscape Painting in Asia. The Cleveland Museum of Art, Cleveland, OH (organizer) (October 2-December 13, 1987). Highlights of Asian Paintings from The Cleveland Museum of Art. Nara National Museum (organizer) (February 21-March 29, 1998); Suntory Museum of Art (April 28-June 21, 1998). Streams and Mountains Without End: Asian Art and the Legacy of Sherman E. Lee at the Cleveland Museum of Art. The Cleveland Museum of Art, Cleveland, OH (organizer) (June 27-August 23, 2009). Chinese Landscape Duets of Arnold Chang and Michael Cherney. The Cleveland Museum of Art, Cleveland, OH (organizer) (July 12, 2015-February 7, 2016). The Arts of Dong Qichang. Shanghai Museum, Shanghai, China (organizer) (December 7, 2018-March 10, 2019). Fantastics and Eccentrics. Asia House Gallery, New York, NY (March 23-May 28, 1967). The Compelling Image: Nature and Style in Seventeenth-Century Chinese Painting. Fogg Art Museum, Cambridge, Massachusetts (1979). Main Asian Rotation (Gallery 119). The Cleveland Museum of Art, Cleveland, OH (March 12, 2003-July 16, 2003).
Dong Qichang radically transforms the landscape composition into a purely abstract design. He organizes the mountain forms to achieve an overall sense of structure, activating the flow of energy (<em>qi</em>) and the momentum of force (<em>shi</em>) throughout the pictorial design. In his art, brush and ink assume life independent of the depicted forms, so that the painting can be appreciated for “the sheer marvels of brush and ink.”
Vendite osservate: 0 · Vendite comparabili: 0 · Provenienza: 3 · Mostre: 8.