Vendite osservate, prove comparabili, storia dell’indice artista e ricerche modellate restano distinti.
Vendite pubbliche dello stesso artista ordinate per tecnica, anno di creazione, dimensioni e data di vendita.
New York sale, Parke-Bernet, 25 April 1968 (lot 265, repr.).
Los Angeles sale, Sotheby Parke-Bernet, 27 May 1974 (lot 81, repr.).
Mr. and Mrs. Noah L. Butkin, Cleveland. Given to the CMA in 1977.
New York sale, Parke-Bernet, 25 April 1968 (lot 265, repr.). Los Angeles sale, Sotheby Parke-Bernet, 27 May 1974 (lot 81, repr.). Mr. and Mrs. Noah L. Butkin, Cleveland. Given to the CMA in 1977.
Year in Review: 1977. The Cleveland Museum of Art, Cleveland, OH (organizer) (December 28, 1977-January 22, 1978). Animals as Romantic Icons in French Art. The Cleveland Museum of Art, Cleveland, OH (organizer) (April 6-July 27, 1986). Breaking the Mold: The Legacy of the Noah L. and Muriel S. Butkin Collection of Nineteenth-Century French Art. Snite Museum, University of Notre Dame, Notre Dame, IN (organizer) (September 2-December 2, 2012). Gifu (Japan) Museum of Fine Arts; Kamakura Museum of Modern Art, Paris autour de 1882 (1982-83), no. 22 (repr.). Snite Museum of Art, Notre Dame University, South Bend, IN (8/26/2012 - 11/15/2012): "Breaking the Mold: The Legacy of Noah L. and Muriel S. Butkin Collection of Nineteenth-Century French Art", ex. cat. no 41, p. 132-133.
<em>Leaving the Oasis</em> repeats several themes in Gérôme's art—camel caravans, oases, and expansive desert landscapes. As an academic realist, Gérôme painted everyday scenes in a meticulous and polished style. Here he carefully rendered the unique forms of the figures' dress and the camels' physical features, as well as the colors of the changing sky and the violet shadows cast by the airborne dogs and the legs of the camels. Although the picture's smoothness and detail suggest a photographic image, Gérôme actually composed his paintings in the studio, basing them on memories and sketches from his visits to the Near East. Following his first trip to Egypt in 1856, he developed into a major figure among 19th-century "Orientalists"—artists who specialized in representing Near Eastern life, culture, and landscapes.
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