Vendite osservate, prove comparabili, storia dell’indice artista e ricerche modellate restano distinti.
Vendite pubbliche dello stesso artista ordinate per tecnica, anno di creazione, dimensioni e data di vendita.
Zhang Heng 張珩 [1915–1963]
Xu Bangda 徐邦達 [1911–2012]
(Walter Hochstadter [1914–2007], New York, NY)
Severance A. [1895–1985] and Greta [Marguerite Steckerl] Millikin [1903–1989], Cleveland, OH
Mr. and Mrs. Courtney Burton, given to the Cleveland Museum of Art
The Cleveland Museum of Art, Cleveland, OH
Zhang Heng 張珩 [1915–1963] Xu Bangda 徐邦達 [1911–2012] (Walter Hochstadter [1914–2007], New York, NY) Severance A. [1895–1985] and Greta [Marguerite Steckerl] Millikin [1903–1989], Cleveland, OH Mr. and Mrs. Courtney Burton, given to the Cleveland Museum of Art The Cleveland Museum of Art, Cleveland, OH
1000 Jahre Chinesische Malerei. Haus der Kunst, Munich, Mùnich, Germany (organizer) (October 16-December 13, 1959). Year in Review - Nineteen Hundred Sixty. The Cleveland Museum of Art, Cleveland, OH (organizer) (November 30, 1960-January 1, 1961). Chinese Art. Smith College Museum of Art, Northampton, MA (organizer) (January 8-26, 1962). The Colors of Ink. Asia House Galleries (January 10-March 3, 1974); The Cleveland Museum of Art, Cleveland, OH (organizer) (April 9-May 12, 1974). Asian Autumn: Masterpieces from the Collection. The Cleveland Museum of Art, Cleveland, OH (organizer) (September 17, 1991-January 5, 1992). Chinese Gallery 240a Rotation – August 2016. The Cleveland Museum of Art (organizer) (August 1, 2016-February 6, 2017). Chiao-yü-pu. [Jiao yu bu di er ci quan guo mei shu zhan lan hui zhuan ji 敎育部第二次全國美術展覽會專集 = A special collection of the second National Exhibition of Chinese Art under the auspices of the Ministry of Education]. Nanking Art Gallery, Nanjing, China (April 1-23, 1937). Chinese Paintings. The Cleveland Museum of Art, Cleveland, OH (July 19-August 7, 1960). Eight Dynasties of Chinese Painting. The Nelson-Atkins Museum of Art (November 7, 1980-January 4, 1981); The Cleveland Museum of Art (February 10-March 29, 1981); Tokyo National Museum (October 4-November 17, 1982).
Zhao Guangfu (Chinese, c. 923–976) · 900
Jacob van Hulsdonck (Flemish, 1582–1647) · 1615
Nagasawa Rosetsu (Japanese, 1754–1799) · 1788
Jean-Siméon Chardin (French, 1699–1779) · 1729
Sanford Robinson Gifford (American, 1823–1880) · 1866
On an autumn day in Beijing, Tao Cheng had a gathering with a group of scholar-officials and created two paintings in a spontaneous, casual style. The first depicts chrysanthemums, slender bamboo stalks, and a rock in monochrome ink. Tao applied light colors for the second painting that depicts cabbage. Tao deliberately placed the images on the first sections of the paper so that his honorable guests could add their poetic inscriptions inspired by his imagery. <br><br>In the first section to the right, all seven poetic inscriptions refer to the beloved poet and recluse Tao Qian (also called Tao Yuanming, AD 365–427) who was particularly known for his profound love for chrysanthemum flowers. Most of the inscriptions in the second section express sympathy for the poor, since cabbage is the main ingredient in their humble food. Taken together, the poems and paintings allude to the life and responsibilities of the scholar-official: the importance of both an upright character and a concern for the poor citizens in order to achieve good government.
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