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Painted by the artist for Henry Hebbert [1783-1864], London, United Kingdom, by descent to his son,...
Henry Hebbert [1814-1893], London, United Kingdom
Cyrus McCormick Jr. [1859-1936], Chicago, IL, .
(Hirschl and Adler Galleries, New York, NY, 1958 sold to Leggatt Brothers)
(Leggatt Brothers, London, United Kingdom, 1959.
Earl of Inchcape, London, United Kingdom by 1966.
(E. V. Thaw & Co., New York. NY, sold to the Cleveland Museum of Art)
Painted by the artist for Henry Hebbert [1783-1864], London, United Kingdom, by descent to his son, Henry Hebbert Henry Hebbert [1814-1893], London, United Kingdom Cyrus McCormick Jr. [1859-1936], Chicago, IL, . (Hirschl and Adler Galleries, New York, NY, 1958 sold to Leggatt Brothers) (Leggatt Brothers, London, United Kingdom, 1959. Earl of Inchcape, London, United Kingdom by 1966. (E. V. Thaw & Co., New York. NY, sold to the Cleveland Museum of Art) The Cleveland Museum of Art, Cleveland, OH
Year in Review: 1972. The Cleveland Museum of Art, Cleveland, OH (organizer) (February 27-March 18, 1973). Visions of Landscape: East and West. The Cleveland Museum of Art, Cleveland, OH (organizer) (February 17-March 21, 1982). CMA @ Oberlin (second rotation). Allen Memorial Art Museum, Oberlin, OH (April 3-June 5, 2006). British Gallery Reinstallation (June 2020). The Cleveland Museum of Art (organizer). A Century of Progress Exhibition of Paintings and Sculpture. Art Institute of Chicago, Chicago, IL (1933). Autumn Exhibition. Leggatt Brothers, London, United Kingdom (1961). English Painting 1750-1850. Leggatt Brothers, London, United Kingdom (1963). Englische Malerei der grossen Zeit . Kunsthaus Zürich, Zürich, Switzerland (October 8-November 6, 1966). La Pittura Inglese de Hogarth a Turner. Palazzo Venezia, Rome, Italy (November 21-December 20, 1966).
Artista · 1595
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Fang Shishu (Chinese, 1693–1751) · 1743
Benjamin West (American, born The Thirteen Colonies, 1738–1820) · 1791
Artista · 1800
Liang Kai (Chinese, mid-1100s–early 1200s) · 1200
<br>An amateur meteorologist, John Constable was most at home painting meticulously observed cloud formations, weather conditions, and natural light effects. He believed an accurate rendering of these constantly shifting elements could convey his vision of the vitality and magnificence of the English countryside. Working from the summerhouse he rented at Hampstead from 1819–26, Constable painted a landscape focusing more on the dark rain clouds than on the laborers in the foreground, keeping the details of their backbreaking work at a picturesque distance.
Vendite osservate: 0 · Vendite comparabili: 0 · Provenienza: 8 · Mostre: 4.