![The Ninth Day Literary Gathering at Xing’an [Temporary Retreat]](https://relict.cloud/storage/delivery/f6eddd3655acfd0c1c545402fa0bd77f0b3dda0d436e6ba352144ab6a5add6e6/1263.webp)
Les ventes observées, preuves comparables, historiques d’indice et recherches modélisées restent distincts.
Ventes publiques du même artiste classées par technique, année de création, dimensions et date de vente.
Ma Yueguan 馬曰琯 [1688–1755] and Ma Yuelu 馬曰璐 [1697–after 1766], Yangzhou, Jiangsu province, Chi...
Chen Kuilin 陳夔麟 [1855–after 1915]
(Wan-go Weng 翁萬戈 [1918–2020], Lyme, NH, sold sold to the Cleveland Museum of Art)
The Cleveland Museum of Art, Cleveland, OH
Ma Yueguan 馬曰琯 [1688–1755] and Ma Yuelu 馬曰璐 [1697–after 1766], Yangzhou, Jiangsu province, China Chen Kuilin 陳夔麟 [1855–after 1915] (Wan-go Weng 翁萬戈 [1918–2020], Lyme, NH, sold sold to the Cleveland Museum of Art) The Cleveland Museum of Art, Cleveland, OH
Year in Review: 1979. The Cleveland Museum of Art (organizer) (February 13-March 9, 1980). Portraiture: The Image of the Individual. The Cleveland Museum of Art, Cleveland, OH (organizer) (November 22, 1983-January 22, 1984). Scholar's Studio. The Cleveland Museum of Art, Cleveland, OH (organizer) (September 19-December 17, 1989). Highlights of Asian Paintings from The Cleveland Museum of Art. Nara National Museum (organizer) (February 21-March 29, 1998); Suntory Museum of Art (April 28-June 21, 1998). China’s Southern Paradise: Treasures from the Lower Yangzi Delta. The Cleveland Museum of Art, Cleveland, OH (organizer) (September 10, 2023-January 7, 2024). Eight Dynasties of Chinese Painting. The Nelson-Atkins Museum of Art (November 7, 1980-January 4, 1981); The Cleveland Museum of Art (February 10-March 29, 1981); Tokyo National Museum (October 4-November 17, 1982). Portraiture: The Image of the Individual. The Cleveland Museum of Art, Cleveland, OH (1983). The Elegant Brush: Chinese Painting under the Ch'ien-lung. Phoenix Art Museum, Phoenix, AZ (August 25-October 6, 1985); Santa Barbara Museum of Art, Santa Barbara, CA (February 8-March 23, 1986); The Metropolitan Museum of Art, New York, NY (May 13-August 13, 1986). The Eccentric Painters of Yangzhou. China Institute in America, New York, NY (October 20-December 15, 1990). Main Asian Rotation (Gallery 242). The Cleveland Museum of Art, Cleveland, OH (November 21, 2013-July 28, 2014).
Jacques-Louis David (French, 1748–1825) · 1817
John Constable (British, 1776–1837) · 1828
Giovanni Francesco Toscani (Italian, c. 1380–1430) · 1418
Artiste · 1625
Pierre Puvis de Chavannes (French, 1824–1898) · 1891
By the 1700s, Yangzhou was flourishing both economically and culturally as the most prosperous city in China, having surpassed all other Jiangnan cities in their creation of gardens. This group portrait commemorates a literary gathering in the private garden of the salt merchants and art patrons Ma Yueguan (1688–1755) and his brother Ma Yuelu (1697–after 1766) in Yangzhou. Ma Yueguan received imperial recognition for providing financial aid and food relief for those affected by flood and drought. Ma Yueguan is seen seated at the end of the painting holding an open scroll while Ma Yuelu stands behind the <em>qin </em>instrument player. Among the guests were officials, scholars, poets, painters, and merchants, a mix of local members of a poetry club reflecting increasing social diversity.
Ventes observées: 0 · Ventes comparables: 0 · Provenance: 4 · Expositions: 5.