The Immaculate Conception

The Cleveland Museum of Art · Leonard C. Hanna Jr. Fund

Museum

The Immaculate Conception

c. 1680

ArtisteBartolomé Esteban Murillo (Spanish, 1617–1682)

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Technique: oil on canvas
Dimensions: Framed: 246.3 x 152.7 x 8 cm (96 15/16 x 60 1/8 x 3 1/8 in.); Unframed: 220.5 x 127.5 cm (86 13/16 x 50 3/16 in.)
Classification: Painting
Style: P - Spanish before 1800
Origine: Spain
Institution: The Cleveland Museum of Art
Crédit: Leonard C. Hanna Jr. Fund

Analyse de marché

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Preuves publiques

Dernier prix connu—0 matched observed sales

Médiane observée—

Ventes observées0

Indice d’artiste—

Aucune vente observée normalisée aux droits vérifiés n’est liée à cette œuvre. Aucun historique de prix artificiel n’est affiché.

Indice d’artiste indisponibleAucun calcul public d’indice d’artiste terminé.Le contexte d’un artiste n’est pas une estimation d’œuvre.

Ventes comparables

Ventes publiques du même artiste classées par technique, année de création, dimensions et date de vente.

Classé selon les preuves

Aucune vente comparable aux droits publics ne satisfait les critères actuels. RELICT ne remplit pas le tableau avec des faits réservés à la recherche ou sous licence uniquement.

Provenance

Public

Provenance

Sir Thomas Sebright, Beechwood near Boxmoor, Hertfordshire; [F. Kleinberger &: Co., New York]. Purch...

Texte de provenance source

Sir Thomas Sebright, Beechwood near Boxmoor, Hertfordshire; [F. Kleinberger &: Co., New York]. Purchase, Leonard C. Hanna Jr. Bequest, 1959.

The Cleveland Museum of ArtFiabilité 100%

Expositions

Public

El Greco to Goya, A Loan Exhibition of Spanish Paintings of the Seventeenth and Eighteenth Centuries

Dalí and the Spanish Baroque

Bartolomé Esteban Murillo: Paintings from American Collections

Texte d’exposition source

El Greco to Goya, A Loan Exhibition of Spanish Paintings of the Seventeenth and Eighteenth Centuries. Indianapolis Museum of Art at Newfields, Indianapolis, IN (organizer) (February 10-March 24, 1963); Rhode Island School of Design, Providence, RI (February 10-March 24, 1963). Bartolomé Esteban Murillo: Paintings from American Collections. Kimbell Art Museum, Fort Worth, TX (organizer) (March 10-June 16, 2002); Los Angeles County Museum of Art, Los Angeles, CA (July 14-October 6, 2002). Dalí and the Spanish Baroque. Salvador Dalí Museum, St. Petersburg, FL (organizer) (February 2-June 24, 2007). John Herron Art Museum, Indianapolis, Indiana., February 10-March 24, 1963: "El Greco to Goya: A Loan Exhibition of Spanish Painting of the Seventeenth and Eighteenth Centuries," cat. no. 52, pl. 52. Rhode Island School of Design, Providence, RI April 15- May 26, 1963. Fort Worth, TX: Kimbell Art Museum (3/10-6/16/02); Los Angeles, CA: Los Angeles County Museum of Art (7/14-10/6/02) "Bartolomé Esteban Murillo (1617-1682): Paintings from American Collections". Fig, 1, p. 174, exh. cat. no. 28, p. 174, repr. p. 174. Salvador Dalí Musuem of Art (2/2/2007 - 6/24/2007): "Dalí and the Spanish Baroque", fig. 24, p. 42-43.

The Cleveland Museum of ArtFiabilité 100%

Vue d’ensemble sourcée Éléments probants

The doctrine of the Immaculate Conception maintains that the Virgin Mary was conceived free from sin, therefore ready to be the pure vessel for Christ’s birth. The Immaculate Conception enjoyed intense devotion in Spain during the 1600s, although it was only accepted as official doctrine in 1854. The abstract subject required artists to develop appropriate imagery. The crescent moon, for example, comes from the New Testament vision of Saint John the Evangelist (Revelation 12:1) of “a woman clothed with the sun, with the moon under her feet.”

The Cleveland Museum of ArtFiabilité 100%

État des preuves

Ventes observées: 0 · Ventes comparables: 0 · Provenance: 1 · Expositions: 3.

Place Of OriginShort DescriptionProvenance TextExhibition HistoryCredit Line