Les ventes observées, preuves comparables, historiques d’indice et recherches modélisées restent distincts.
Ventes publiques du même artiste classées par technique, année de création, dimensions et date de vente.
Presumably commissioned by Cardinal Oliviero Carafa (1430–1511), Rome
Presumably in Carafa collections by descent, Rome and Naples
Palazzo Santangelo (formerly Palazzo Diomede Carafa until 1814), Naples
Acquired at Palazzo Diomded Carafa or at Villa Santangelo, Pollena, from the Santangelo family and I...
By descent to Cornelia, Edward, Fiske, and Samuel Warren in Boston and Lewes House, East Sussex, Uni...
Bequeathed to H. Asa Thomas by Edward Warren (1860–1928)
Sold by H. Asa Thomas through Harold Woodbury Parsons to the Cleveland Museum of Art
Presumably commissioned by Cardinal Oliviero Carafa (1430–1511), Rome Presumably in Carafa collections by descent, Rome and Naples Palazzo Santangelo (formerly Palazzo Diomede Carafa until 1814), Naples Acquired at Palazzo Diomded Carafa or at Villa Santangelo, Pollena, from the Santangelo family and Ignazio Virzì by Bernardo Berenson and Edward Perry Warren for Susan Cornelia Clarke (Mrs. Samuel Dennis Warren Sr.) (1825–1901), Boston By descent to Cornelia, Edward, Fiske, and Samuel Warren in Boston and Lewes House, East Sussex, United Kingdom Bequeathed to H. Asa Thomas by Edward Warren (1860–1928) Sold by H. Asa Thomas through Harold Woodbury Parsons to the Cleveland Museum of Art The Cleveland Museum of Art
The Twentieth Anniversary Exhibition: The Official Art Exhibit of the Great Lakes Exposition. The Cleveland Museum of Art, Cleveland, OH (organizer) (June 26-October 4, 1936). Classic to Baroque: A Style Change in the Arts. The Cleveland Museum of Art, Cleveland, OH (organizer) (September 30-November 13, 1949). Art and Humanism in the Renaissance. The Cleveland Museum of Art, Cleveland, OH (organizer) (January 23-February 25, 1962). Florence and the Arts: Five Centuries of Patronage. The Cleveland Museum of Art, Cleveland, OH (organizer) (July 13-September 19, 1971). Filippino Lippi and Rome. The Cleveland Museum of Art, Cleveland, OH (organizer) (November 26, 2025-February 22, 2026). Special Exhibition of Paintings from the Collection of the Late Mrs. S.D. Warren, Museum of Fine Arts, Boston, MA (April 1902). Exhibition of Old Masters, Royal Academy, Burlington House, London (January 4–March 12, 1904).
Johan Christian Clausen Dahl (Norwegian, 1788–1857) · 1848
Artiste · 1600
Sandro Botticelli (Italian, 1444/45–1510) · 1485
Frederic Edwin Church (American, 1826–1900) · 1860
Gion Seitoku (Japanese, active late 1700s–early 1800s) · 1800
This monumental tondo, among Filippino’s most significant works, was commissioned by Neapolitan cardinal Oliviero Carafa, a leading political and ecclesiastical figure. The painter’s ingenious composition harmoniously overlaps five brilliantly colored divine figures within the challenging circular format. Behind a low wall adorned with sacred and domestic objects, Joseph observes the intertwined group of Mary holding Christ, who embraces his cousin John the Baptist, supported by Saint Margaret. Created during Filippino’s Roman years (1488–93), the painting reflects the inspiration he drew from ancient art. The preparatory drawing reveals how he reimagined Greco-Roman figures—his sketch of an antique Venus statue was refashioned into Saint Margaret—while the weathered pier references remnants of ancient architectural and decorative motifs, illustrating Filippino’s deep engagement with the fragments of antique murals, sculpture, and architecture throughout the city.
Ventes observées: 0 · Ventes comparables: 0 · Provenance: 8 · Expositions: 5.