Les ventes observées, preuves comparables, historiques d’indice et recherches modélisées restent distincts.
Ventes publiques du même artiste classées par technique, année de création, dimensions et date de vente.
[Baron Persi, Paris, 1810];
Count Eric Bentzel-Sternau, Mariahalden Gallery, Erlenbach, Switzerland, until after 1847;
Miner K. Kellogg, Paris, by 1855;
Mr. and Mrs. Liberty E. Holden, Cleveland, 1889, by gift to the Cleveland Museum of Art, 1916.
[Baron Persi, Paris, 1810]; Count Eric Bentzel-Sternau, Mariahalden Gallery, Erlenbach, Switzerland, until after 1847; Miner K. Kellogg, Paris, by 1855; Mr. and Mrs. Liberty E. Holden, Cleveland, 1889, by gift to the Cleveland Museum of Art, 1916.
Inaugural Exhibition. The Cleveland Museum of Art, Cleveland, OH (organizer) (co-organizer) (June 6-September 20, 1916). The Twentieth Anniversary Exhibition: The Official Art Exhibit of the Great Lakes Exposition. The Cleveland Museum of Art, Cleveland, OH (organizer) (June 26-October 4, 1936). Women Who Ruled: Queens, Goddesses, Amazons 1500-1650. University of Michigan Museum of Art, Ann Arbor, MI (organizer) (February 16-May 5, 2002); There will be no 2nd venue. (June 8-August 18, 2002); Davis Museum and Cultural Center, Wellesley, MA (September 14-December 8, 2002). University of Michigan Museum of Art, Ann Arbor, Michigan (2/16/2002 - 5/5/2002) and Davis Museum and Cultural Center, Wellesley College, Mass. (9/14/2002- 12/8/2002): "Women Who Ruled: Queens, Goddesses, Amazons 1500-1650", exh. cat. no. 67, p. 146.
Salome’s dancing so pleased her stepfather Herod that he offered her anything she wanted. Her mother advised Salome to demand John the Baptist’s head, which Salome presented to her family on an elaborate dish. Despite its biblical source, this work was meant for a domestic setting, whose owner would have admired the elegant presentation of a shocking story.
Ventes observées: 0 · Ventes comparables: 0 · Provenance: 4 · Expositions: 3.