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River and Mountains on a Clear Autumn Day
The Cleveland Museum of Art · Purchase from the J. H. Wade Fund
Museum

River and Mountains on a Clear Autumn Day

c. 1624–27
Dong Qichang (Chinese, 1555–1636) visual detail
ArtisteDong Qichang (Chinese, 1555–1636)
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Analyse de marché

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Provenance

Public
Provenance

Gao Shiqi 高士奇 [1645–1703]

Provenance

Song Luo 宋犖 [1634–1713]

Provenance

Shao Changheng 邵長蘅 [1637–1704]

c. 1736–1910

Qing imperial collection (seals of Emperors Qianlong, r. 1736–1795, Jiaqing, r. 1796–1820, and Xuant...

?–1959

(C. C. Wang 王季遷 [1907–2003], New York, NY, sold to the Cleveland Museum of Art)

1959–

The Cleveland Museum of Art, Cleveland, OH

Texte de provenance source

Gao Shiqi 高士奇 [1645–1703] Song Luo 宋犖 [1634–1713] Shao Changheng 邵長蘅 [1637–1704] Qing imperial collection (seals of Emperors Qianlong, r. 1736–1795, Jiaqing, r. 1796–1820, and Xuantong, r. 1909–1911) (C. C. Wang 王季遷 [1907–2003], New York, NY, sold to the Cleveland Museum of Art) The Cleveland Museum of Art, Cleveland, OH

The Cleveland Museum of ArtFiabilité 100%

Expositions

Public
Texte d’exposition source

Fifteen Chinese Paintings from the Cleveland Museum of Art. Smith College Museum of Art, Northampton, MA (organizer) (October 9-28, 1964). Juxtapositions. The Cleveland Museum of Art, Cleveland, OH (September 11-October 10, 1965). Fantastics and Eccentrics in Chinese Painting. The Asia Society Museum, New York, NY (organizer) (March 23-May 28, 1967); Los Angeles County Museum of Art, Los Angeles, CA (June 20-August 13, 1967); Fine Arts Museums of San Francisco, de Young Museum, San Francisco, CA (September 15-November 5, 1967). The Colors of Ink. Asia House Galleries (January 10-March 3, 1974); The Cleveland Museum of Art, Cleveland, OH (organizer) (April 9-May 12, 1974). The Compelling Image: Nature and Style in 17th Century Chinese Painting. Fogg Art Museum/Harvard University, Cambridge, MA (organizer) (February 15-April 30, 1979). Eight Dynasties of Chinese Painting. The Nelson-Atkins Museum of Art (November 7, 1980-January 4, 1981); The Cleveland Museum of Art (February 11-March 29, 1981); Tokyo National Museum (October 4-November 17, 1982). Visions of Landscape: East and West. The Cleveland Museum of Art, Cleveland, OH (organizer) (February 17-March 21, 1982). Asian Autumn: Masterpieces from the Collection. The Cleveland Museum of Art, Cleveland, OH (organizer) (September 17, 1991-January 5, 1992). The Artist as Collector: Masterpieces of Chinese Painting from the C.C. Wang Family Collection. The Metropolitan Museum of Art, New York, NY (organizer) (September 3, 1999-January 9, 2000). Landscapes Clear and Radiant: The Art of Wang Hui (1632-1717). The Metropolitan Museum of Art, New York, NY (organizer) (September 9, 2008-January 4, 2009). Silent Poetry: Masterworks of Chinese Painting. The Cleveland Museum of Art, Cleveland, OH (organizer) (November 14, 2015-April 24, 2016). China’s Southern Paradise: Treasures from the Lower Yangzi Delta. The Cleveland Museum of Art, Cleveland, OH (organizer) (September 10, 2023-January 7, 2024). 1000 Jahre. Haus der Kunst, Munich, Germany (October 16-December 13, 1959). Chinese Paintings. The Cleveland Museum of Art, Cleveland, OH (1960). Fifteen Chinese Paintings from The Cleveland Museum of Art. Smith College Museum of Art, Northampton, Massachusetts (1964). Fantastics and Eccentrics. Asia House Gallery, New York, NY, (March 23-May 28, 1967).

The Cleveland Museum of ArtFiabilité 100%
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Vue d’ensemble sourcée Éléments probants

Dong Qichang had a tremendous impact on the artistic practices and historiography of later generations; his works and writings shaped literati aesthetics. Here, Dong places an abstract landscape composition diagonally across the picture plane, configured to recall earlier masters and simultaneously express his own personal style. Dong’s inscription claims, <em>Huang Gongwang’s Autumn Day, looks like this. I truly regret the master has not seen my work</em>. In fact, Dong Qichang may have had Dong Yuan’s <em>Xiao and Xiang Rivers</em> in mind, a work he owned and considered a key work in Chinese art history.

The Cleveland Museum of ArtFiabilité 100%

État des preuves

Ventes observées: 0 · Ventes comparables: 0 · Provenance: 6 · Expositions: 12.

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