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Lovers and beloveds: A composite of scenes from Persian, Urdu, and Sanskrit literature
The Cleveland Museum of Art · Gift in honor of Madeline Neves Clapp; Gift of Mrs. Henry White Cannon by exchange; Bequest of Louise T. Cooper; Leonard C. Hanna Jr. Fund; From the Catherine and Ralph Benkaim Collection
Museum

Lovers and beloveds: A composite of scenes from Persian, Urdu, and Sanskrit literature

c. 1735
Chitarman II (Indian, c. 1680–с. 1750) visual detail
ArtisteChitarman II (Indian, c. 1680–с. 1750)
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Analyse de marché

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Provenance

Public
?-November 1969

(Walter Randall Gallery, New York, NY, sold to Ralph Benkaim)

November 1969-2013

Ralph Benkaim [1914-2001] and Catherine Glynn Benkaim [b. 1946], Beverly Hills, CA, sold to the Clev...

2013-

The Cleveland Museum of Art, Cleveland, OH

Texte de provenance source

(Walter Randall Gallery, New York, NY, sold to Ralph Benkaim) Ralph Benkaim [1914-2001] and Catherine Glynn Benkaim [b. 1946], Beverly Hills, CA, sold to the Cleveland Museum of Art The Cleveland Museum of Art, Cleveland, OH

The Cleveland Museum of ArtFiabilité 100%

Expositions

Public
Texte d’exposition source

Art and Stories from Mughal India. The Cleveland Museum of Art, Cleveland, OH (organizer) (July 31-October 23, 2016). India's Fabled City: The Art of Courtly Lucknow. Los Angeles County Museum of Art, Los Angeles, CA (December 12, 2010-February 27, 2011); Musee Guimet, Paris, Frane (April 6-July 11, 2011).

The Cleveland Museum of ArtFiabilité 100%

Vue d’ensemble sourcée Éléments probants

The figure of Joseph, identified by his halo, sits in the center near the top of this painting of heroes and heroines of ten different Persian, Urdu, and Sanskrit romances. The depicted scene occurs after Joseph has been purchased by Zulaykha in Egypt. Zulaykha, wishing to show him off to her friends and acquaintances, invites them to her home where she supplies oranges and knives. When the women see Joseph, they all are so distracted by his divine beauty that they accidentally cut their hands while peeling their oranges, but remain mesmerized by his appearance. The dramatic scene in the center is from the Persian romance of Khusrau and Shirin, in which Farhad, a stonecutter who loved Shirin, threw himself to his death from a mountaintop after hearing news of Shirin’s death, falsely sent to him from his rival Khusrau. The emaciated Majnun is in the lower right corner. Every vignette has been identified with a tiny Persian inscription.

The Cleveland Museum of ArtFiabilité 100%

État des preuves

Ventes observées: 0 · Ventes comparables: 0 · Provenance: 3 · Expositions: 1.

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