Ventes comparables
Ventes publiques du même artiste classées par technique, année de création, dimensions et date de vente.
Les ventes observées, preuves comparables, historiques d’indice et recherches modélisées restent distincts.
Ventes publiques du même artiste classées par technique, année de création, dimensions et date de vente.
Wan Chengzi 萬承紫 [1775–after 1837]
Xu Weiren 徐渭仁 [1788–1853]
Sun Zutong 孫祖同 [1894–1937]
(C. C. Wang 王季遷 [1907–2003], New York, NY, sold to the Cleveland Museum of Art)
The Cleveland Museum of Art, Cleveland, OH
Wan Chengzi 萬承紫 [1775–after 1837] Xu Weiren 徐渭仁 [1788–1853] Sun Zutong 孫祖同 [1894–1937] (C. C. Wang 王季遷 [1907–2003], New York, NY, sold to the Cleveland Museum of Art) The Cleveland Museum of Art, Cleveland, OH
Year in Review (1961). The Cleveland Museum of Art, Cleveland, OH (organizer) (November 1-26, 1961). Fantastics and Eccentrics in Chinese Painting. The Asia Society Museum, New York, NY (organizer) (March 23-May 28, 1967); Los Angeles County Museum of Art, Los Angeles, CA (June 20-August 13, 1967); Fine Arts Museums of San Francisco, de Young Museum, San Francisco, CA (September 15-November 5, 1967). Highlights of Asian Paintings from The Cleveland Museum of Art. Nara National Museum (organizer) (February 21-March 29, 1998); Suntory Museum of Art (April 28-June 21, 1998). Six Dynasties of Chinese Painting (Chinese art rotation). The Cleveland Museum of Art, Cleveland, OH (organizer) (November 10, 2023-May 5, 2024). Eight Dynasties of Chinese Painting. The Nelson-Atkins Museum of Art (November 7, 1980-January 4, 1981); The Cleveland Museum of Art (February 10-March 29, 1981); Tokyo National Museum (October 4-November 17, 1982); The Asia Society Museum, New York, NY (December 3, 1982-February 28, 1983). Main Asian Rotation (Gallery 119). The Cleveland Museum of Art, Cleveland, OH (July 16-October 28, 2003). Main Asian Rotation (Gallery 242). The Cleveland Museum of Art, Cleveland, OH (November 21, 2013-July 28, 2014).
This painting by Chen Hongshou depicts the story of Xuanwen Jun, or Lady of Literary Propagation, at a venerable age, instructing young scholars on the Confucian classics. It was painted for Chen’s aunt in celebration of her 60th birthday. <br> <br>Chen’s painting style is archaic in the use of fine outlines and brilliant coloring with mineral pigments. In depicting the figures, he uses the “iron-wire” brush style (fine, even lines) with deliberate control. The faces are elongated and exaggerated. A few ritual bronzes lend the scene an antique flavor.
Ventes observées: 0 · Ventes comparables: 0 · Provenance: 5 · Expositions: 4.