Krishna and Balarama touching the feet of Vasudeva and Devaki, from the “Vertical” Bhagavata Purana

The Cleveland Museum of Art · Purchase and partial gift from the Catherine and Ralph Benkaim Collection; Severance and Greta Millikin Purchase Fund

Museum

Krishna and Balarama touching the feet of Vasudeva and Devaki, from the “Vertical” Bhagavata Purana

c. 1700–1725

Technique: Gum tempera, gold, and silver on paper
Dimensions: Page: 28.5 x 21.6 cm (11 1/4 x 8 1/2 in.); Image: 24.3 x 16.5 cm (9 9/16 x 6 1/2 in.)
Classification: Painting
Style: Indian Art
Origine: Northern India, Pahari kingdoms
Institution: The Cleveland Museum of Art
Crédit: Purchase and partial gift from the Catherine and Ralph Benkaim Collection; Severance and Greta Millikin Purchase Fund

Analyse de marché

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Preuves publiques

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Provenance

Public

?–2018

Catherine Glynn Benkaim and Barbara Timmer, Beverly Hills, CA, partial sale and gift to the Clevelan...

2018–

The Cleveland Museum of Art, Cleveland, OH

Texte de provenance source

Catherine Glynn Benkaim and Barbara Timmer, Beverly Hills, CA, partial sale and gift to the Cleveland Museum of Art The Cleveland Museum of Art, Cleveland, OH

The Cleveland Museum of ArtFiabilité 100%

Expositions

Public

Pahari Paintings: Art and Stories

Indian Gallery 242 Rotation

Texte d’exposition source

Indian Gallery 242 Rotation. The Cleveland Museum of Art (organizer) (September 10, 2018-April 7, 2019). Pahari Paintings: Art and Stories. The Cleveland Museum of Art, Cleveland, OH (organizer) (January 18-August 23, 2026).

The Cleveland Museum of ArtFiabilité 100%

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Vue d’ensemble sourcée Éléments probants

This intensely emotional scene depicts the reunion of the blue-skinned god Krishna with his parents for the first time since the night of his birth. The stark white expanse of wall that fills most of the composition evokes the desolate years of separation during which time his parents were in prison. According to the story, Krishna and his half-brother, the white-skinned Balarama, have just slain a wicked king and freed his parents. Nevertheless, they all wear fine garments and ornaments. The artist elected to emphasize the appearance of good fortune over realism, signaling to the viewer that this is a happy reunion.

The Cleveland Museum of ArtFiabilité 100%

État des preuves

Ventes observées: 0 · Ventes comparables: 0 · Provenance: 2 · Expositions: 2.

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