Eight Views of the Xiao and Xiang Rivers

The Cleveland Museum of Art · Gift of Dr. and Mrs. Sherman E. Lee

Museum

Eight Views of the Xiao and Xiang Rivers

1700s

ArtisteWatanabe Shikō (Japanese, 1683–1755)

Voir l’artiste →

Technique: Six-panel folding screen; ink on paper
Dimensions: Image: 150 x 356 cm (59 1/16 x 140 3/16 in.); Overall: 170 x 376 cm (66 15/16 x 148 1/16 in.)
Classification: Painting
Style: ASIAN - Folding screen
Origine: Japan, Edo period (1615–1868)
Institution: The Cleveland Museum of Art
Crédit: Gift of Dr. and Mrs. Sherman E. Lee

Analyse de marché

Les ventes observées, preuves comparables, historiques d’indice et recherches modélisées restent distincts.

Preuves publiques

Dernier prix connu—0 matched observed sales

Médiane observée—

Ventes observées0

Indice d’artiste—

Aucune vente observée normalisée aux droits vérifiés n’est liée à cette œuvre. Aucun historique de prix artificiel n’est affiché.

Indice d’artiste indisponibleAucun calcul public d’indice d’artiste terminé.Le contexte d’un artiste n’est pas une estimation d’œuvre.

Ventes comparables

Ventes publiques du même artiste classées par technique, année de création, dimensions et date de vente.

Classé selon les preuves

Aucune vente comparable aux droits publics ne satisfait les critères actuels. RELICT ne remplit pas le tableau avec des faits réservés à la recherche ou sous licence uniquement.

Provenance

Public

?–1960

Dr. Sherman Emory Lee [1918–2008] and Ruth Ward Lee [1917–2011], Cleveland, OH, given to the Clevela...

1960–

The Cleveland Museum of Art, Cleveland, OH

Texte de provenance source

Dr. Sherman Emory Lee [1918–2008] and Ruth Ward Lee [1917–2011], Cleveland, OH, given to the Cleveland Museum of Art The Cleveland Museum of Art, Cleveland, OH

The Cleveland Museum of ArtFiabilité 100%

Expositions

Public

Year in Review (1961)

Byobu: The Art of the Japanese Screen

Unfolding Beauty: Japanese Screens from the Cleveland Museum of Art

The Lure of Painted Poetry: Japanese and Korean Art

Japanese Screens from the Museum and Cleveland Collections

Suibokuga: Japanese Ink Painting

Texte d’exposition source

Year in Review (1961). The Cleveland Museum of Art, Cleveland, OH (organizer) (November 1-26, 1961). Japanese Screens from the Museum and Cleveland Collections. The Cleveland Museum of Art, Cleveland, OH (organizer) (March 23-May 8, 1977). Byobu: The Art of the Japanese Screen. The Cleveland Museum of Art (organizer) (August 1-October 14, 1984). Suibokuga: Japanese Ink Painting. The Cleveland Museum of Art, Cleveland, OH (organizer) (October 1, 1985-February 24, 1986). Unfolding Beauty: Japanese Screens from the Cleveland Museum of Art. The Cleveland Museum of Art, Cleveland, OH (organizer) (July 15-September 16, 2001). The Lure of Painted Poetry: Japanese and Korean Art. The Cleveland Museum of Art, Cleveland, OH (organizer) (April 15-August 21, 2011).

The Cleveland Museum of ArtFiabilité 100%

Œuvres publiques liées

Œuvres visuellement proches

Explorer le catalogue →

A Home in the Wilderness

A Home in the Wilderness

Sanford Robinson Gifford (American, 1823–1880) · 1866

Saying Farewell at Xunyang (Song of the Pipa)

Saying Farewell at Xunyang (Song of the Pipa)

Wen Boren (Chinese, 1502–1575) · 1520

Bamboo and Rocks in Clearing Skies

Bamboo and Rocks in Clearing Skies

Ike Taiga (Japanese, 1723–1776) · 1740

Low Waterfall in a Wooded Landscape with a Dead Beech Tree

Low Waterfall in a Wooded Landscape with a Dead Beech Tree

Jacob van Ruisdael (Dutch, 1628/29–1682) · 1660

The Race Track (Death on a Pale Horse)

The Race Track (Death on a Pale Horse)

Albert Pinkham Ryder (American, 1847–1917) · 1896

Vue d’ensemble sourcée Éléments probants

Watanabe Shiko enjoyed a versatile and successful career, as well as a privileged upbringing, in Kyoto. His surviving work indicates a capacity to diligently study, master, and then interpret several painting techniques—each of which varies considerably in appearance. These <em>byobu</em> (folding screens), for instance, reflect training in the Kano school idiom that favored a monochromatic ink palette, vigorous brushwork, and traditional Chinese—rather than Japanese—subject matter. Shiko rendered this scenery in a particularly expansive manner, suggesting the vastness of China's topography relative to Japan's. Frequent visitors to the museum will recall that Shiko also painted the collection's favored pair of byobu, the <em>Irises</em> (<a href="http://cma.org/art/1954.603"><u>CMA 1954.603</u></a>).

The Cleveland Museum of ArtFiabilité 100%

État des preuves

Ventes observées: 0 · Ventes comparables: 0 · Provenance: 2 · Expositions: 6.

Place Of OriginShort DescriptionProvenance TextExhibition HistoryCredit Line