Les ventes observées, preuves comparables, historiques d’indice et recherches modélisées restent distincts.
Ventes publiques du même artiste classées par technique, année de création, dimensions et date de vente.
Paul Oppenheimer, Littleborough, Lancashire;
M. B. Asscher, London, 1946;
J. Singer, London, 1948;
[Leonard Koetser, London, 1962 to 1967];
[E. Speelman, London];
(sale: Sotheby’s, London, March 24, 1971, no. 104);
[Bruno Meissner, Zurich];
Paul Oppenheimer, Littleborough, Lancashire; M. B. Asscher, London, 1946; J. Singer, London, 1948; [Leonard Koetser, London, 1962 to 1967]; [E. Speelman, London]; (sale: Sotheby’s, London, March 24, 1971, no. 104); [Bruno Meissner, Zurich]; [Schaeffer Galleries, New York, 1972], sold to the Cleveland Museum of Art, 1973.
Dutch Art and Life in the Seventeenth Century. The Cleveland Museum of Art, Cleveland, OH (July 10-September 2, 1973). Year in Review: 1973. The Cleveland Museum of Art, Cleveland, OH (organizer) (January 30-March 17, 1974). London, Leonard Koester Gallery, 1962: "Spring Exhibition of Fine Flemish, Dutch, and Italian Old Masters," cat. no. 2, color illus. London, Leonard Koester Gallery, 1967: "Spring Exhibition of Fine Flemish, Dutch, and Italian Old Masters," cat. no. 15. CMA 1973: "Dutch Art and Life in the Seventeenth Century," no catalogue. CMA February 1974: "Year in Review," cat., Bull., LXI (February 1974), cat.no. 43, repr.p. 42.
Salomon van Ruysdael, the uncle of Jacob van Ruisdael, here represents a free interpretation of the Castle Loevenstein. In addition to its picturesque qualities, the castle had great political and cultural importance as the official state prison and a key fort in the southern Netherlands. Painted just before the Dutch won independence from Spain in 1648, the painting likely expressed nationalist pride for its owner.
Ventes observées: 0 · Ventes comparables: 0 · Provenance: 8 · Expositions: 2.