Retour
Buddhist Retreat by Stream and Mountains
The Cleveland Museum of Art · Gift of Katharine Holden Thayer
Museum

Buddhist Retreat by Stream and Mountains

960–85
Juran (Chinese, active 960–985) visual detail
ArtisteJuran (Chinese, active 960–985)
Voir l’artiste →

Analyse de marché

Les ventes observées, preuves comparables, historiques d’indice et recherches modélisées restent distincts.

Preuves publiques
Dernier prix connu—0 matched observed sales
Médiane observée—
Ventes observées0
Indice d’artiste—
Aucune vente observée normalisée aux droits vérifiés n’est liée à cette œuvre. Aucun historique de prix artificiel n’est affiché.
Indice d’artiste indisponibleAucun calcul public d’indice d’artiste terminé.Le contexte d’un artiste n’est pas une estimation d’œuvre.

Ventes comparables

Ventes publiques du même artiste classées par technique, année de création, dimensions et date de vente.

Classé selon les preuves
Aucune vente comparable aux droits publics ne satisfait les critères actuels. RELICT ne remplit pas le tableau avec des faits réservés à la recherche ou sous licence uniquement.

Provenance

Public
960-1279

Song government (Shang Shu Sheng yin 尚書省印), Beijing, China

1368–98

Ming government (half-seal Si yin 司印), Beijing, China

first half of 1600s

Wu Ting 吳廷 (first half of 1600s)

1620–1691

Liang Qingbiao 梁清標 [1620–1691]

1640–86

Geng Zhaozhong 耿昭忠 [1640–1686]

c. 1683–c. 1744

An Qi 安岐 [c. 1683–c. 1744]

1736–95

Qing imperial collection (seals of the Qianlong Emperor), Beijing. China

Texte de provenance source

Song government (Shang Shu Sheng yin 尚書省印), Beijing, China Ming government (half-seal Si yin 司印), Beijing, China Wu Ting 吳廷 (first half of 1600s) Liang Qingbiao 梁清標 [1620–1691] Geng Zhaozhong 耿昭忠 [1640–1686] An Qi 安岐 [c. 1683–c. 1744] Qing imperial collection (seals of the Qianlong Emperor), Beijing. China Shao Fu-hsing, Beijing, China (Frank F. Cho, New York, NY, sold to the Cleveland Museum of Art) The Cleveland Museum of Art, Cleveland, OH

The Cleveland Museum of ArtFiabilité 100%

Expositions

Public
Texte d’exposition source

The Colors of Ink. Asia House Galleries (January 10-March 3, 1974); The Cleveland Museum of Art, Cleveland, OH (organizer) (April 9-May 12, 1974). Chinese Paintings: Themes and Techniques. The Cleveland Museum of Art, Cleveland, OH (February 7-April 5, 1981). Eight Dynasties of Chinese Painting. The Nelson-Atkins Museum of Art (November 7, 1980-January 4, 1981); The Cleveland Museum of Art (February 11-March 29, 1981); Tokyo National Museum (October 4-November 17, 1982). Mountains, Rocks, and Water: Landscape Painting in Asia. The Cleveland Museum of Art, Cleveland, OH (organizer) (October 2-December 13, 1987). Asian Autumn: Masterpieces from the Collection. The Cleveland Museum of Art, Cleveland, OH (organizer) (September 17, 1991-January 5, 1992). Masterpieces of Early Chinese Painting and Calligraphy in American Collections. Shanghai Museum, Shanghai, China (organizer) (November 1, 2012-January 3, 2013). China’s Southern Paradise: Treasures from the Lower Yangzi Delta. The Cleveland Museum of Art, Cleveland, OH (organizer) (September 10, 2023-January 7, 2024). Chinese Landscape Paintings. The Cleveland Museum of Art, Cleveland, OH (1954). Chinese Painting, Themes and Techniques. The Cleveland Museum of Art, Cleveland, OH (1981). Photo-reproduction only on view; reproduced in catalogue, no. 19, p. 32. Main Asian Rotation (Gallery 119). The Cleveland Museum of Art, Cleveland, OH (July 16-October 28, 2003).

The Cleveland Museum of ArtFiabilité 100%
Œuvres publiques liées

Œuvres visuellement proches

Explorer le catalogue →

Vue d’ensemble sourcée Éléments probants

Monk Juran served the Southern Tang (937–75) imperial house in Nanjing, where he studied with Dong Yuan (active 930s–60s). Both founded the southern landscape tradition, or Jiangnan school, known for gentle misty riverscapes in wet ink.<br> <br>Juran moved north to Kaifeng when the Southern Tang surrendered to the Northern Song, the impact of which may be seen in this painting, presumably painted after 976. A towering mountain dominates the composition, typically representing the style of the Northern Song academy; while the use of long hemp fiber strokes to texture the mountains, wet dots, and round boulders on mountain tops are elements of the southern landscape tradition.

The Cleveland Museum of ArtFiabilité 100%

État des preuves

Ventes observées: 0 · Ventes comparables: 0 · Provenance: 10 · Expositions: 7.

Place Of OriginShort DescriptionProvenance TextExhibition HistoryCredit Line