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Buddha's Conversion of Five Bhiksu
The Cleveland Museum of Art · Bequest of Mrs. A. Dean Perry
Museum

Buddha's Conversion of Five Bhiksu

mid-1300s
Li Sheng (Chinese, active c. 1324–after 1375) visual detail
ArtisteLi Sheng (Chinese, active c. 1324–after 1375)
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Provenance

Public
Provenance

Xu Qianxue 徐乾學 [1631–1694]

1929–c. 1949

Wu Hufan 吳湖帆 [1894–1968], Shanghai, China, to C. C. Wang

c. 1949–? before 1968

(C. C. Wang 王季遷 [1907–2003], New York, NY, sold to Mr. and Mrs. A. Dean Perry)

? by 1968–1997

Mr. A. [Albert] Dean Perry [1909–1987] and Mrs. A. Dean [Helen Wade Greene] Perry [1911–1996], Clev...

1997–

The Cleveland Museum of Art, Cleveland, OH

Texte de provenance source

Xu Qianxue 徐乾學 [1631–1694] Wu Hufan 吳湖帆 [1894–1968], Shanghai, China, to C. C. Wang (C. C. Wang 王季遷 [1907–2003], New York, NY, sold to Mr. and Mrs. A. Dean Perry) Mr. A. [Albert] Dean Perry [1909–1987] and Mrs. A. Dean [Helen Wade Greene] Perry [1911–1996], Cleveland, OH, bequest to the Cleveland Museum of Art The Cleveland Museum of Art, Cleveland, OH

The Cleveland Museum of ArtFiabilité 100%

Expositions

Public
Texte d’exposition source

Chinese Art Under the Mongols: The Yuan Dynasty (1279–1368). The Cleveland Museum of Art, Cleveland, OH (organizer) (October 2-November 24, 1968). The Artist as Collector: Masterpieces of Chinese Painting from the C.C. Wang Family Collection. The Metropolitan Museum of Art, New York, NY (organizer) (September 3, 1999-January 9, 2000). The Plum Scenery Studio: Wu Hufan and His Circle in Modern Shanghai. The Cleveland Museum of Art, Cleveland, OH (organizer) (May 31-November 8, 2026). Eight Dynasties of Chinese Painting. The Nelson-Atkins Museum of Art (November 7, 1980-January 4, 1981); The Cleveland Museum of Art (February 10-March 29, 1981); Tokyo National Museum (October 4-November 17, 1982). Main Asian Rotation (Gallery 120). The Cleveland Museum of Art, Cleveland, OH (July 22-October 26, 2003).

The Cleveland Museum of ArtFiabilité 100%
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Vue d’ensemble sourcée Éléments probants

This episode stems from the life of the historical Buddha, who, after his enlightenment, was initially hesitant about preaching his own doctrine. After much personal deliberation and prodding by deities, he finally relented. The first converts were the five guards who served him when he was still a prince. For Li Sheng, this is the pretext of the painting, which moves from the interaction of the <em>bhiksu</em> with the Buddha to a broader awareness of the vast surroundings of the scene.

The Cleveland Museum of ArtFiabilité 100%

État des preuves

Ventes observées: 0 · Ventes comparables: 0 · Provenance: 5 · Expositions: 3.

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