Les ventes observées, preuves comparables, historiques d’indice et recherches modélisées restent distincts.
Ventes publiques du même artiste classées par technique, année de création, dimensions et date de vente.
Collection of Italico Brass, Venice, Italy)
Sold from the Italico Brass collection, Venice, with the assistance of Harold Woodbury Parsons to th...
The Cleveland Museum of Art, Cleveland, OH
Collection of Italico Brass, Venice, Italy) Sold from the Italico Brass collection, Venice, with the assistance of Harold Woodbury Parsons to the Cleveland Museum of Art The Cleveland Museum of Art, Cleveland, OH
Art of the Seventeenth and Eighteenth Centuries. The Cleveland Museum of Art, Cleveland, OH (organizer) (November 9-December 2, 1934). The Twentieth Anniversary Exhibition: The Official Art Exhibit of the Great Lakes Exposition. The Cleveland Museum of Art, Cleveland, OH (organizer) (June 26-October 4, 1936). The Silver Jubilee Exhibition. The Cleveland Museum of Art, Cleveland, OH (organizer) (June 23-September 28, 1941). The Venetian Tradition. The Cleveland Museum of Art, Cleveland, OH (November 8, 1956-January 1, 1957). Bernardo Strozzi, Paintings and Drawings. Binghamton University Art Museum, Binghamton, NY (organizer) (October 8-November 5, 1967). Bernardo Strozzi: Genova 1581/82-Venezia 1644. Palazzo Ducale (Genova), Genova, Italy (May 6-August 6, 1995); The Walters Art Museum, Baltimore, MD (September 10-November 26, 1995). Venetian Paintings XV through XVIII Century, California Palace of Legion of Honor, San Francisco, California, (June 24 - July 24, 1938). Four Centuries of Venetian Painting, Toledo Museum of Art, Toledo, OH, (March 1940).
Abraham Bloemaert (Dutch, 1566–1651) · 1585
Artiste · 1555
Artiste · 1127
Sassetta (Italian, 1392–1450) · 1437
Frans Pourbus (Flemish, 1569–1622) · 1611
During the 1630s, the Genoese artist Bernardo Strozzi painted a number of female figures representing various intellectual and artistic pursuits, reflecting the appeal of such allegories among learned patrons in northern Italy. Recent scholarship has convincingly identified the subject of this painting as Minerva. The Roman goddess of war has put aside her armor for more contemplative pursuits; her upward gaze—as if seeking inspiration—recalls her other associations with wisdom, eloquence, and the arts.
Ventes observées: 0 · Ventes comparables: 0 · Provenance: 3 · Expositions: 6.