Les ventes observées, preuves comparables, historiques d’indice et recherches modélisées restent distincts.
Ventes publiques du même artiste classées par technique, année de création, dimensions et date de vente.
Chen Yixi 陳奕禧 [1648–1709]
Li Yufen 李玉棻 [mid-1800s], Yangzhou, China
Wu Hufan 吳湖帆 [1894–1968], Shanghai, China
Qin Tongli 秦通理 [early 1900s]
(Frank Caro [1904–1980], New York, NY, sold to the Cleveland Museum of Art)
The Cleveland Museum of Art, Cleveland, OH
Chen Yixi 陳奕禧 [1648–1709] Li Yufen 李玉棻 [mid-1800s], Yangzhou, China Wu Hufan 吳湖帆 [1894–1968], Shanghai, China Qin Tongli 秦通理 [early 1900s] (Frank Caro [1904–1980], New York, NY, sold to the Cleveland Museum of Art) The Cleveland Museum of Art, Cleveland, OH
Arts of China. Lyman Allyn Art Museum, New London, CT (organizer) (October 30-December 4, 1955). Landscape. The Cleveland Museum of Art, Cleveland, OH (organizer) (January 9-April 22, 1962). Water Color. The Cleveland Museum of Art, Cleveland, OH (organizer) (June 6-August 27, 1962). The Colors of Ink. The Cleveland Museum of Art, Cleveland, OH (organizer) (April 9-May 12, 1974). Conference of Oriental-Western Literary and Cultural Relations. Indiana University Art Museum, Bloomington, IN (organizer) (October 17-19, 1974). Conference on Oriental-Western Literary and Cultural Relations. Indiana University, Bloomington, IN (1974). Eight Dynasties of Chinese Painting. The Nelson-Atkins Museum of Art (November 7, 1980-January 4, 1981); The Cleveland Museum of Art (February 10-March 29, 1981); Tokyo National Museum (October 4-November 17, 1982).
Throughout his lifetime, Xiao Yuncong visited Nanjing and Yangzhou, cities embedded in the fertile and water-rich Jiangnan region, as reflected in his paintings. Xiao painted from nature, and his landscapes are informed by the seasons and his travels, as well as by his experience as a print designer. Xiao’s fresh, light colors continue to appear in later Shanghai school paintings. <br><br>This album was formerly in the collection of Li Yufen in Yangzhou and then owned by Wu Hufan in Shanghai. While the artist impressed his seal consistently below his poetic inscriptions in the upper parts of the composition, the red seals on the margins and in the lower corners of the paintings are impressions by the album’s previous owners.
Ventes observées: 0 · Ventes comparables: 0 · Provenance: 6 · Expositions: 5.