Los hechos de ventas observadas, pruebas comparables, historial del índice y estudios modelados permanecen separados.
Ventas públicas del mismo artista ordenadas por técnica, año de creación, dimensiones y antigüedad de venta.
(Galerie M. Schulthess, Basel, probably sold to G. Vegting)
G. Vegting, Amsterdam
(Duits, Ltd., London, sold to Piet de Boer with Frederick Mont and Newhouse Galleries)
(Piet de Boer with Frederick Mont and Newhouse Galleries, New York, NY, sold to the Cleveland Museum...
The Cleveland Museum of Art, Cleveland, Ohio
(Galerie M. Schulthess, Basel, probably sold to G. Vegting) G. Vegting, Amsterdam (Duits, Ltd., London, sold to Piet de Boer with Frederick Mont and Newhouse Galleries) (Piet de Boer with Frederick Mont and Newhouse Galleries, New York, NY, sold to the Cleveland Museum of Art) The Cleveland Museum of Art, Cleveland, Ohio
Year in Review (1963). The Cleveland Museum of Art, Cleveland, OH (organizer) (November 27, 1963-January 5, 1964). Dutch Art and Life in the Seventeenth Century. The Cleveland Museum of Art, Cleveland, OH (July 10-September 2, 1973). The Porcelain Connection. The Cleveland Museum of Art, Cleveland, OH (organizer) (June 22-August 15, 1982). A Prosperous Past: The Sumptuous Still Life in the Netherlands. Stedelijk Museum, Amsterdam, Amsterdam, Netherlands (co-organizer) (July 1-September 4, 1988); Fogg Museum, Cambridge, MA (co-organizer) (October 1-November 27, 1988); Kimbell Art Museum, Fort Worth, TX (organizer) (co-organizer) (December 10, 1988-February 12, 1989). Still-Life Paintings from the Netherlands, 1550-1720. Rijksmuseum, Amsterdam, Netherlands (June 19-September 19, 1999); The Cleveland Museum of Art, Cleveland, OH (organizer) (October 31, 1999-January 9, 2000). Fra Rembrandt til Vermeer. Nasjonalgalleriet, Oslo (Oct. 9 - Dec. 6, 1959), no. 36 (lent by G. Begting, Amsterdam) Blue and White: Chinese Porcelain and its Impact on the Western World. The David and Alfred Smart Gallery, University of Chicago (Oct. 3- Dec. 1, 1985), no. 51. A Prosperous Past: The Sumptuous Still Life in the Netherlands. Het Prinsenhof, Stedelijk Museum, Delft (July 1- Sept. 4, 1988); Fogg Art Museum, Cambridge MA (Oct. 1- Nov. 27, 1988); and Kimbell Art Museum, Fort Worth (Dec. 10, 1988,- Feb. 12, 1989), no. 56.
Gilbert Stuart (American, born The Thirteen Colonies, 1755–1828) · 1798
Paul Gauguin (French, 1848–1903) · 1889
Peter Lely (British, 1618–1680) · 1652
Louis Hersent (French, 1777–1860) · 1796
Artista · 1555
Priceless objects crowd the corner of a stone table in Kalf's composition. Pieces like the silver platter, delicate glasswares, thick rumpled carpet, and a Chinese porcelain bowl with peaches and an orange not only represented the great wealth and global reach of the Dutch trading empire, but were also a way for the artist to demonstrate his skill in recreating various surface textures. Kalf used different kinds of highlights to render reflections—quick dots, lines, and dabs of paint—creating sparkling, twinkling light effects that subtly distinguish objects from the surrounding shadows.<br>In 1797, the German poet Johann van Goethe wrote that Kalf's paintings lead to understanding "in what sense art is superior to nature and what the spirit of man imparts to objects when it views them with creative eyes. . . . if I had to choose between the golden vessels or the picture . . . I would choose the picture."
Ventas observadas: 0 · Ventas comparables: 0 · Procedencia: 5 · Exposiciones: 5.