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Ventas públicas del mismo artista ordenadas por técnica, año de creación, dimensiones y antigüedad de venta.
Private Collection, Spain
Grete Ring, London
(Arnold Seligman, Rey & Co,, New York)
Private Collection, Spain Grete Ring, London (Arnold Seligman, Rey & Co,, New York)
The Twentieth Anniversary Exhibition: The Official Art Exhibit of the Great Lakes Exposition. The Cleveland Museum of Art, Cleveland, OH (organizer) (June 26-October 4, 1936). The Silver Jubilee Exhibition. The Cleveland Museum of Art, Cleveland, OH (organizer) (June 23-September 28, 1941). Art and Humanism in the Renaissance. The Cleveland Museum of Art, Cleveland, OH (organizer) (January 23-February 25, 1962). Textiles in Daily Life in the Middle Ages. The Cleveland Museum of Art, Cleveland, OH (organizer) (January 22-March 17, 1985). Hans Memling. Groeningemuseum, Bruges (organizer) (August 12-November 15, 1994). French and Flemish Primitives, Toledo Museum of Art, Toledo, OH, (1935). Flemish Paintings, The Worcester Art Museum, MA, (1939); Philadelphia Museum of Art, (1939).
Frank Duveneck (American, 1848–1919) · 1875
François Hubert Drouais (French, 1727–1775) · 1759
Bichitr (Indian, active c. 1615–50) · 1640
John Singleton Copley (American, born The Thirteen Colonies, 1738–1815) · 1760
Honoré Daumier (French, 1808–1879) · 1868
This small panel was once part of a devotional portrait diptych (a hinged two-panel painting). The Christ child’s attention seems drawn to something outside the picture and lifts his hand in recognition. The opposing panel, once hinged on the right, would have featured a portrait of its original owner in prayer, now unfortunately lost. Such devotional portrait diptychs were popular after 1400 and remained so until their production ceased around the 1530s. Used in private chapels or within the curtain folds of four-poster beds, they could easily be closed when not in use. Hans Memling was born near Frankfurt, Germany. He settled in Bruges around 1465 where he developed a reputation for his painting skills, and provided works to the Burgundian court, which likely cultivated the taste for small portrait diptychs. This example seems to have been painted by a member of Memling’s workshop, perhaps for a wealthy merchant or clergyman.
Ventas observadas: 0 · Ventas comparables: 0 · Procedencia: 3 · Exposiciones: 5.