Ventas comparables
Ventas públicas del mismo artista ordenadas por técnica, año de creación, dimensiones y antigüedad de venta.
Los hechos de ventas observadas, pruebas comparables, historial del índice y estudios modelados permanecen separados.
Ventas públicas del mismo artista ordenadas por técnica, año de creación, dimensiones y antigüedad de venta.
Estate of Breckinridge Long [1881–1958], Bowie, MD
(Harry Burke Antiques, Philadelphia, PA)
(Bernard Brown Agency, Milwaukee, WI, sold to the Cleveland Museum of Art. Purchased with funds from...
The Cleveland Museum of Art, Cleveland, OH
Estate of Breckinridge Long [1881–1958], Bowie, MD (Harry Burke Antiques, Philadelphia, PA) (Bernard Brown Agency, Milwaukee, WI, sold to the Cleveland Museum of Art. Purchased with funds from Mrs. A. Dean [Helen Wade Greene] Perry) The Cleveland Museum of Art, Cleveland, OH
Year in Review (1963). The Cleveland Museum of Art, Cleveland, OH (organizer) (November 27, 1963-January 5, 1964). Art of Mughal India. The Asia Society Museum, New York, NY (organizer) (January 15, 1964-March 25, 1963). Juxtapositions. The Cleveland Museum of Art, Cleveland, OH (September 11-October 10, 1965). The Cleveland Tuti-Nama Manuscript and the Origins of Mughal Painting. The Cleveland Museum of Art, Cleveland, OH (organizer) (November 9-December 19, 1976); The David and Alfred Smart Museum of Art, Chicago, IL (January 12-February 27, 1977). A Cleveland Bestiary. The Cleveland Museum of Art, Cleveland, OH (organizer) (October 15-December 16, 1981). The Twain Shall Meet. The Cleveland Museum of Art, Cleveland, OH (organizer) (October 30, 1985-January 5, 1986). Dance of the Gods: Indian Art Inspired by Music. The Cleveland Museum of Art, Cleveland, OH (organizer) (September 24-December 8, 1996).

Joachim Anthoniz Wtewael (Dutch, 1566–1638) · 1602

Louis Hayet (French, 1864–1940) · 1887

Claude Monet (French, 1840–1926) · 1868
Cheng Zhengkui (Chinese, 1604–1676) · 1658

Pierre Puvis de Chavannes (French, 1824–1898) · 1891
The <em>Tuti-Nama</em>, written in Persian in the early fourteenth century, contains a series of fifty-two moralizing tales told by a clever, talking parrot. Each story is intended to instruct Khujasta and distract her from an adulterous affair. The Cleveland Museum of Art’s copy of the manuscript was painted for Emperor Akbar (r. 1556–1605) and represents the origins of Mughal painting.
Ventas observadas: 0 · Ventas comparables: 0 · Procedencia: 4 · Exposiciones: 7.