Ventas comparables
Ventas públicas del mismo artista ordenadas por técnica, año de creación, dimensiones y antigüedad de venta.
Los hechos de ventas observadas, pruebas comparables, historial del índice y estudios modelados permanecen separados.
Ventas públicas del mismo artista ordenadas por técnica, año de creación, dimensiones y antigüedad de venta.
Albert Pinkham Ryder [1847-1914], New York, NY, sold to Louis Lehmeier
Louis Lehmeier, returned to the artist
Albert Pinkham Ryder, probably sold to Albert T. Sanden
Albert T. Sanden, New York, NY
(Ferargil Galleries, New York, NY, sold to the Cleveland Museum of Art)
The Cleveland Museum of Art, Cleveland, Ohio
Albert Pinkham Ryder [1847-1914], New York, NY, sold to Louis Lehmeier Louis Lehmeier, returned to the artist Albert Pinkham Ryder, probably sold to Albert T. Sanden Albert T. Sanden, New York, NY (Ferargil Galleries, New York, NY, sold to the Cleveland Museum of Art) The Cleveland Museum of Art, Cleveland, Ohio
The Twentieth Anniversary Exhibition: The Official Art Exhibit of the Great Lakes Exposition. The Cleveland Museum of Art, Cleveland, OH (organizer) (June 26-October 4, 1936). Exhibition of American Painting from 1860 Until Today. The Cleveland Museum of Art, Cleveland, OH (organizer) (June 23-October 4, 1937). Expressionism and Related Movements. The Cleveland Museum of Art, Cleveland, OH (organizer) (January 26-February 28, 1939). The Silver Jubilee Exhibition. The Cleveland Museum of Art, Cleveland, OH (organizer) (June 23-September 28, 1941). 35th Anniversary Exhibition. The Cleveland Museum of Art, Cleveland, OH (organizer) (June 20-September 30, 1951). Art of the United States: 1670-1966. Whitney Museum of American Art, New York, NY (organizer) (September 28-November 27, 1966). Heritage and Horizon: American Painting 1776 - 1976. Buffalo AKG Art Museum, Buffalo, NY (organizer) (March 7-April 11, 1976); The Detroit Institute of Arts, Detroit, MI (May 2-June 13, 1976); The Toledo Museum of Art, Toledo, OH (July 4-August 15, 1976); The Cleveland Museum of Art, Cleveland, OH (September 8-October 10, 1976). Kaleidoscope of American Painting, Eighteenth and Nineteenth Centuries. William Rockhill Nelson Gallery, Kansas City, MO (organizer) (December 1, 1977-January 22, 1978). Conserving the Past for the Future. The Cleveland Museum of Art, Cleveland, OH (organizer) (March 4-May 6, 2001). Cleveland Collects American Art of the Gilded Age. The Cleveland Museum of Art, Cleveland, OH (organizer) (February 23-May 18, 2003). New York, Metropolitan Museum of Art, Loan Exhibition of the Works of Albert P. Ryder (11 March - 14 April 1918), cat. no. 48, pl. 48. New York, The Metropolitan Museum of Art (1918–1924). New York, Anderson Galleries, American Art from the Collections of Members of the Associated Dealers in American Painting (8 - 26 February 1927). Cleveland, Ohio, Cleveland Museum of Art, Memorial Exhibition of Paintings by Thomas Eakins, Albert P. Ryder, and J. Alden Weir (1928). New York, The Museum of Modern Art, Sixth Loan Exhibition: Winslow Homer, Albert P. Ryder, Thomas Eakins (May 1930), no. 61, p. 61. New York, The Metropolitan Museum of Art, The Taste of Today in Masterpieces of Painting Before 1900 (10 July - 2 October 1932). Chicago, Art Institute of Chicago, The Century of Progress Exhibition (1 June - 1 November 1933), no. 475. Paris, Musée du Jeu de Paume, Trois Siècles d'Art aux États-Unis (May - July 1938), no. 144. New York, The Museum of Modern Art, Art in Our Time: The Tenth Anniversary Exhibition of The Museum of Modern Art (April - October 1939), cat. no. 26, pl. 26. New York, M. Knoedler & Co., Two American Romantics of the Nineteenth Century: Robert Loftin Newman 1827-1912, Albert Pinkham Ryder 1847 - 1917 (13 November - 2 December 1939), no. 9. Hartford, Connecticut, Wadsworth Atheneum, Night Scenes (15 February - 7 March 1940), no. 56. Pittsburgh, Carnegie Institute, Survey of American Painting (24 October - 15 December 1940), cat. no. 205 (not ill.) London, The Tate Gallery, American Painting: from the Eighteenth Century to the Present Day (Summer 1946), cat. no. 178. New York, Whitney Museum of American Art, Ryder Centenary Exhibition (18 October - 30 November 1947), no. 31, ill. p. 34. Philadelphia, Philadelphia Museum of Art, Diamond Jubilee Exhibition: Masterpieces of American Painting (4 November 1950 - 11 February 51); no. 62. New York, National Academy of Design, The American Tradition Exhibition of Paintings (3 December - 16 December1951), no. 120, ill. p. 44. Buffalo, New York, Albright Art Gallery, Expressionism in American Painting (10 May - 29 June 1952), no. 4, ill. p. 13. Frankfurt, Städelsches Kunstinstitut, Hundert Jahre Amerikanische Malerei 1800-1900, An Exhibition Circulated by the American Federation of Arts (14 March - 3 May 1953); traveled to München, Bayerische Staatsgemaldesammlungen (15 May - 28 June 1953); traveled to Hamburg, Kunstalle (18 July - 30 August 1953), cat. no. 78, p. 34, ill. p. 21. Rome, Galleria Nazionale d'Arte Moderna, Mostra di Pittura Americana del XIX Secolo (19 January - 7 February 1954), cat. no. 53, pl. 19. New York, Whitney Museum of American Art, American Painting in the Nineteenth Century (1954), cat. no. 53. Washington, D. C., The Corcoran Gallery, The American Muse (1959), cat. no. 63. Buffalo, New York, Albright-Knox Art Gallery, Heritage and Horizon: American Painting 1776 - 1976 (6 March - 11 April 1976), cat. no. 26; traveled to Detroit, Detroit Institute of Arts (5 May - 13 June 1976); traveled to Toledo, Toledo Museum of Art (4 July - 15 August 1976); traveled to Cleveland, Cleveland Museum of Art (8 September - 10 October 1976). Kansas City, Missouri, William Rockhill Nelson Gallery of Art, Kaleidoscope of American Painting, Eighteenth and Nineteenth Centuries (2 December 1977 - 22 January 1978), no. 37, ill. p. 34. Washington, D.C., National Museum of American Art, The Art of Albert Pinkham Ryder (6 April - 29 July 1990); traveled to Brooklyn, Brooklyn Museum of Art (14 September 1990 - 8 January 1991); exhibition catalog published for the NMAA by the Smithsonian Institution Press, Washington, 1989), p.l 98, fig 86, cat. no. 51, p. 275.

Nagasawa Rosetsu (Japanese, 1754–1799) · 1788

Artista · 1550

Berthe Morisot (French, 1841–1895) · 1873

George Inness (American, 1825–1894) · 1892

Watanabe Shikō (Japanese, 1683–1755) · 1710
Ryder’s subject was inspired by a horse race that took place in New York during 1888. One of the artist’s friends wagered $500 on the race and then died by suicide after the horse lost. Medieval symbolism infuses the composition: death appears as a skeleton on horseback holding a scythe with which it cuts down the living, while a snake—a sign of temptation and evil—slithers in the foreground. An intense man, Ryder worked on the painting for several years and was deeply reluctant to part with it.
Ventas observadas: 0 · Ventas comparables: 0 · Procedencia: 6 · Exposiciones: 10.