The Brook
The Cleveland Museum of Art · Bequest of Leonard C. Hanna Jr.
Museum

The Brook

c. 1895–1900
Paul Cezanne (French, 1839–1906) visual detail
ArtistaPaul Cezanne (French, 1839–1906)
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Análisis de mercado

Los hechos de ventas observadas, pruebas comparables, historial del índice y estudios modelados permanecen separados.

Pruebas públicas
Último precio conocido—0 matched observed sales
Mediana observada—
Ventas observadas0
Índice de artista—
Esta obra no tiene una venta observada normalizada con derechos autorizados. No se muestra un historial de precios artificial.
Índice de artista no disponibleNo existe un cálculo público completo del índice del artista.El contexto del artista no es una valoración de la obra.

Ventas comparables

Ventas públicas del mismo artista ordenadas por técnica, año de creación, dimensiones y antigüedad de venta.

Clasificado por pruebas
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Procedencia

Público
Procedencia

Ambroise Vollard [1866-1939], Paris, France

Procedencia

Walther Halvorsen [1887-1972]. Oslo, Norway

Procedencia

(Galerie Brummer, Paris, France/New York, NY)

by 1928

(Galerie Heinemann, Munich, Germany, by 1928, sold to a Private Collection)

Procedencia

Private Collection, Vienna, Austria

Procedencia

Robert Treat Paine, Jr., Boston, MA

by 1939

Thomas Metcalf, Boston, MA

Texto de procedencia de origen

Ambroise Vollard [1866-1939], Paris, France Walther Halvorsen [1887-1972]. Oslo, Norway (Galerie Brummer, Paris, France/New York, NY) (Galerie Heinemann, Munich, Germany, by 1928, sold to a Private Collection) Private Collection, Vienna, Austria Robert Treat Paine, Jr., Boston, MA Thomas Metcalf, Boston, MA (Knoedler Galleries, New York, NY) (Sam Salz, New York, NY, March 12, 1945, sold to Leonard C. Hanna, Jr.) Leonard C. Hanna, Jr. [1889-1957], Cleveland, OH, bequeathed to the Cleveland Museum of Art The Cleveland Museum of Art, Cleveland, OH

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Exposiciones

Público
Texto de exposiciones de origen

Highlights of the 19th Century. Akron Art Museum, Akron, OH (organizer) (March 3-31, 1959). Masterpiece of the Month. Akron Art Museum (organizer) (April 2-26, 1959). セザンヌ展 (Paul Cezanne Exhibition). National Museum of Western Art, Tokyo, Tokyo, Japan (organizer) (March 29-May 25, 1974); Kyoto Municipal Museum of Art, Kyoto, Japan (June 1-July 17, 1974); Fukuoka Art Museum, Fukuoka, Japan (July 24-August 18, 1974). Cezanne Retrospective. Künsthalle Tubingen, D-72076 Tübingen, Germany (organizer) (January 16-April 27, 1993). Cezanne au fil de l'eau. Musée Granet, 13100 Aix-en-Provence, France (organizer) (June 15-September 15, 2000). Monet to Dalí: Modern Masters from the Cleveland Museum of Art. Beijing World Art Museum (May 26-August 27, 2006); Mori Art Center (September 16-November 26, 2006); Seoul Art Center, South Korea (December 22, 2006-March 28, 2007); Seoul Olympic Museum of Art, South Korea (April 7-May 20, 2007); Vancouver Art Gallery, Vancouver, Canada (June 9-September 16, 2007); The Cleveland Museum of Art, Cleveland, OH (organizer) (October 21, 2007-January 13, 2008); Frist Art Museum, Nashville, TN (February 15-June 1, 2008); Utah Museum of Fine Arts, Salt Lake City, UT (June 22-September 21, 2008); The Detroit Institute of Arts, Detroit, MI (October 12, 2008-January 18, 2009). Galerie Heinemann. Possibly Munich, Germany (1928), Modern Paintings from Boston Collections. Institute of Modern Art, Boston, MA (1937). Art in New England-Paintings, Drawings, Prints from Private Collections in New England. Museum of Fine Arts, Boston. MA (1939). Centennial Exhibition 1839-1939. Marie Harriman Gallery, New York, NY (1939). Summer Loan - group of fourteen Hanna paintings on loan. Metropolitan Museum of Art, New York, NY. (June-September 1949). Cézanne-Rarely Shown Works. Fine Arts Associates, New York, NY (1952).

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Resumen con fuentes Evidencias

Although Cezanne exhibited twice with the Impressionists, he rejected his friends’ goals of capturing the fleeting effects of light and atmosphere in their art. Instead, he sought to create balance among the forms and colors in his compositions. This painting depicts the valley of the Arc River that runs southeast of Cezanne’s home in Aix-en-Provence. Throughout the composition, he juxtaposed strokes of different hues, describing the leaves, branches, and the stream with color rather than drawing the outlines of forms.

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Estado de las pruebas

Ventas observadas: 0 · Ventas comparables: 0 · Procedencia: 11 · Exposiciones: 6.

Place Of OriginShort DescriptionProvenance TextExhibition HistoryCredit Line