Los hechos de ventas observadas, pruebas comparables, historial del índice y estudios modelados permanecen separados.
Ventas públicas del mismo artista ordenadas por técnica, año de creación, dimensiones y antigüedad de venta.
Muto Collection
(Nisaburo Mizutani, Kyoto, Japan, sold to the Cleveland Museum of Art)
The Cleveland Museum of Art, Cleveland, OH
Muto Collection (Nisaburo Mizutani, Kyoto, Japan, sold to the Cleveland Museum of Art) The Cleveland Museum of Art, Cleveland, OH
Year in Review: 1974. The Cleveland Museum of Art, Cleveland, OH (organizer) (March 11-April 6, 1975). Sources of Japanese Buddhist Art. Nara National Museum, Nara 630, Japan (organizer) (April 29-June 10, 1978). Eight Dynasties of Chinese Painting. The Nelson-Atkins Museum of Art (November 7, 1980-January 4, 1981); The Cleveland Museum of Art (February 11-March 29, 1981); Tokyo National Museum (October 4-November 17, 1982). Asian Autumn: Masterpieces from the Collection. The Cleveland Museum of Art, Cleveland, OH (organizer) (September 17, 1991-January 5, 1992). Admired from Afar: Masterworks of Japanese Painting from the Cleveland Museum of Art. Tokyo National Museum, Tokyo, Japan (January 15-February 23, 2014); Kyushu National Museum, Fukuoka, Japan (July 8-August 31, 2014). Facing the Ancestors: Chinese Portraits and Figure Painting – Chinese Gallery Rotation 240a, 241c. The Cleveland Museum of Art (organizer) (August 12, 2019-February 2, 2020). China’s Southern Paradise: Treasures from the Lower Yangzi Delta. The Cleveland Museum of Art, Cleveland, OH (organizer) (September 10, 2023-January 7, 2024). Nihon bukkyo bijutsu no genryū [Sources of Japanese Buddhist art = 日本仏敎美術の源流]. Nara National Museum, Nara, Japan (April 29-June 11,1978). Main Asian Rotation (Gallery 119). The Cleveland Museum of Art, Cleveland, OH (October 29, 2003-March 15, 2004).
Li Shan (Chinese, c. 1686–1762) · 1747
Cui Zizhong (Chinese, 1574–1644) · 1644
Gainsborough Dupont (British, 1754–1797) · 1788
Artista · 1336
Watanabe Kazan (Japanese, 1793–1841) · 1827
Monk Yuanzhao, with the honorific title Dazhi Lüshi, Great Wisdom Master of Vinaya, is depicted here as an itinerant monk, holding his alms bowl in the left and staff in the right. In 1142, Emperor Gaozong had bestowed Yuanzhao with a posthumous title, mentioned in the inscription, which suggests that the portrait was made after the master’s death. A master of the Lü sect of Buddhism, with a calm benevolent smile on his face, Yuanzhao was active on Mount Tiantai and in Hangzhou. Later, Liu Tao, a southerner from Changxing, added the inscription. <br><br>The eulogy reads: <br><em>Dignified he is, perfect in his upasampada [ordination of a monk]. His appearance is like his mind. Uncompromising and aloof. His mind is like his appearance. To say he is square, he proves to be round. He looks timid, yet his spirit is unbound. Having no attachment, and holding no reins, men and deities alike take refuge in him</em>. —translated by Wai-Kam Ho
Ventas observadas: 0 · Ventas comparables: 0 · Procedencia: 3 · Exposiciones: 7.