Portrait of a Woman as Saint Catherine

The Cleveland Museum of Art · Holden Collection

Museum

Portrait of a Woman as Saint Catherine

c. 1560

ArtistaPier Francesco Foschi (Italian, 1502–1567)

Ver artista →

Técnica: oil on wood
Dimensiones: Framed: 116 x 93 x 11 cm (45 11/16 x 36 5/8 x 4 5/16 in.); Unframed: 95 x 71.3 cm (37 3/8 x 28 1/16 in.)
Clasificación: Painting
Estilo: P - Italian 16th & 17th Century
Origen: Italy
Institución: The Cleveland Museum of Art
Abono: Holden Collection

Análisis de mercado

Los hechos de ventas observadas, pruebas comparables, historial del índice y estudios modelados permanecen separados.

Pruebas públicas

Último precio conocido—0 matched observed sales

Mediana observada—

Ventas observadas0

Índice de artista—

Esta obra no tiene una venta observada normalizada con derechos autorizados. No se muestra un historial de precios artificial.

Índice de artista no disponibleNo existe un cálculo público completo del índice del artista.El contexto del artista no es una valoración de la obra.

Ventas comparables

Ventas públicas del mismo artista ordenadas por técnica, año de creación, dimensiones y antigüedad de venta.

Clasificado por pruebas

Ninguna venta comparable con derechos públicos cumple los criterios actuales. RELICT no rellena la tabla con datos exclusivos de investigación o de acceso bajo licencia.

Procedencia

Público

Procedencia

Riccardi Gallery, Florence, Italy, sold to James Jackson Jarves

? - 1884

James Jackson Jarves (1818-1888), sold to Liberty Emery Holden

1884-1913

Liberty Emery Holden, Cleveland, OH (1833-1913), by descent to his wife

1913-1916

Mrs. Liberty Emery Holden (Delia Elizabeth Bulkley, 1838-1932), Cleveland, OH, gifted to the Clevela...

1916-

The Cleveland Museum of Art, Cleveland, OH

Texto de procedencia de origen

Riccardi Gallery, Florence, Italy, sold to James Jackson Jarves James Jackson Jarves (1818-1888), sold to Liberty Emery Holden Liberty Emery Holden, Cleveland, OH (1833-1913), by descent to his wife Mrs. Liberty Emery Holden (Delia Elizabeth Bulkley, 1838-1932), Cleveland, OH, gifted to the Cleveland Museum of Art The Cleveland Museum of Art, Cleveland, OH

The Cleveland Museum of ArtFiabilidad 100%

Exposiciones

Público

Inaugural Exhibition

The Twentieth Anniversary Exhibition: The Official Art Exhibit of the Great Lakes Exposition

Stories from Storage

Texto de exposiciones de origen

Inaugural Exhibition. The Cleveland Museum of Art, Cleveland, OH (organizer) (co-organizer) (June 6-September 20, 1916). The Twentieth Anniversary Exhibition: The Official Art Exhibit of the Great Lakes Exposition. The Cleveland Museum of Art, Cleveland, OH (organizer) (June 26-October 4, 1936). Stories from Storage. The Cleveland Museum of Art, Cleveland, OH (organizer) (February 7-May 16, 2021). American Exhibition of Foreign Products, Arts, and Manufactures: Art Department, Jarves Collection. Boston, MA (1883). Loan Exhibition of the Holden Collection. The Metropolitan Museum of Art, New York, NY (1912).

The Cleveland Museum of ArtFiabilidad 100%

Obras públicas relacionadas

Obras visualmente cercanas

Explorar catálogo →

Portrait of a Woman

Portrait of a Woman

Gerard ter Borch (Dutch, 1617–1681) · 1650

The Bird's Nest Patriarch

The Bird's Nest Patriarch

Tawaraya Sōtatsu (Japanese, c. 1570–c. 1640) · 1600

The Red Kerchief

The Red Kerchief

Claude Monet (French, 1840–1926) · 1868

Portrait of a Man

Portrait of a Man

Gustave Caillebotte (French, 1848–1894) · 1880

Study for "The Martyrdom of Saint Sebastian" (for the Augustinian monastery at Diessen, Germany)

Study for "The Martyrdom of Saint Sebastian" (for the Augustinian monastery at Diessen, Germany)

Giovanni Battista Tiepolo (Italian, 1696–1770) · 1739

Resumen con fuentes Evidencias

Saint Catherine of Alexandria, a Christian, was martyred for refusing to make sacrifices to idols as decreed by the pagan Roman emperor Maxentius. While Maxentius first attempted to slay Catherine with spiked wheels, the machine broke when she prayed for salvation, and the emperor subsequently beheaded her. Catherine is identified in portraits through objects related to her martyrdom, such as a broken wheel, or a palm branch symbolizing the victory of the eternal spirit over mortal flesh. In sixteenth-century Florence, patrician women were often portrayed as such exemplary figures, indicating the virtues of the sitter.

The Cleveland Museum of ArtFiabilidad 100%

Estado de las pruebas

Ventas observadas: 0 · Ventas comparables: 0 · Procedencia: 5 · Exposiciones: 3.

Place Of OriginShort DescriptionProvenance TextExhibition HistoryCredit Line