Paintings after Ancient Masters: Portrait of Tao Yuanming

The Cleveland Museum of Art · John L. Severance Fund

Museum

Paintings after Ancient Masters: Portrait of Tao Yuanming

1598–1652

ArtistaChen Hongshou (Chinese, 1598/99–1652)

Ver artista →

Técnica: Album leaf; ink and color on silk
Dimensiones: Overall: 30.2 x 26.7 cm (11 7/8 x 10 1/2 in.)
Clasificación: Painting
Estilo: ASIAN - Album leaf
Origen: China, Ming dynasty (1368–1644)
Institución: The Cleveland Museum of Art
Abono: John L. Severance Fund

Análisis de mercado

Los hechos de ventas observadas, pruebas comparables, historial del índice y estudios modelados permanecen separados.

Pruebas públicas

Último precio conocido—0 matched observed sales

Mediana observada—

Ventas observadas0

Índice de artista—

Esta obra no tiene una venta observada normalizada con derechos autorizados. No se muestra un historial de precios artificial.

Índice de artista no disponibleNo existe un cálculo público completo del índice del artista.El contexto del artista no es una valoración de la obra.

Ventas comparables

Ventas públicas del mismo artista ordenadas por técnica, año de creación, dimensiones y antigüedad de venta.

Clasificado por pruebas

Ninguna venta comparable con derechos públicos cumple los criterios actuales. RELICT no rellena la tabla con datos exclusivos de investigación o de acceso bajo licencia.

Procedencia

Público

Procedencia

Weng Tonghe 翁同龢 [1830–1904], by descent to Wango H. C. Weng

?–1979

(Wango H. C. Weng 翁萬戈 [1918–2020], Lyme, NH, sold to the Cleveland Museum of Art)

1979–

The Cleveland Museum of Art, Cleveland, OH

Texto de procedencia de origen

Weng Tonghe 翁同龢 [1830–1904], by descent to Wango H. C. Weng (Wango H. C. Weng 翁萬戈 [1918–2020], Lyme, NH, sold to the Cleveland Museum of Art) The Cleveland Museum of Art, Cleveland, OH

The Cleveland Museum of ArtFiabilidad 100%

Exposiciones

Público

Eight Dynasties of Chinese Painting

China’s Southern Paradise: Treasures from the Lower Yangzi Delta

Repentant Monk: Illusion and Disillusion in the Art of Chen Hongshou (1599-1652)

Texto de exposiciones de origen

Eight Dynasties of Chinese Painting. The Nelson-Atkins Museum of Art (November 7, 1980-January 4, 1981); The Cleveland Museum of Art (February 11-March 29, 1981); Tokyo National Museum (October 4-November 17, 1982); The Asia Society Museum, New York, NY (December 3, 1982-February 28, 1983). Repentant Monk: Illusion and Disillusion in the Art of Chen Hongshou (1599-1652). University of California, Berkeley Art Museum and Pacific Film Archive, Berkeley, CA (organizer) (October 25, 2017-January 28, 2018). China’s Southern Paradise: Treasures from the Lower Yangzi Delta. The Cleveland Museum of Art, Cleveland, OH (organizer) (September 10, 2023-January 7, 2024). Chinese Painting from the Two Distinguished American Museums. Tokyo National Museum, Tokyo, Japan (October 4-November 17,1982).

The Cleveland Museum of ArtFiabilidad 100%

Resumen con fuentes Evidencias

Poet Tao Yuanming (365–427 CE) turned down a career as an official in politically turbulent times to return to his home estate, northwest of Mount Lu, to write poetry and enjoy his garden and wine. Having an ailing foot, he was carried in a basket or walked with a staff. As he grew chrysanthemums, Tao is associated with this flower. <br><br>The artist Chen Hongshou, active in Zhejiang province, suffered through the violent transition from the Ming to the Qing dynasty around 1644. By portraying the poet who lived a millennium earlier during similarly fraught times, Chen intentionally chose an archaistic style.

The Cleveland Museum of ArtFiabilidad 100%

Estado de las pruebas

Ventas observadas: 0 · Ventas comparables: 0 · Procedencia: 3 · Exposiciones: 3.

Place Of OriginShort DescriptionProvenance TextExhibition HistoryCredit Line