Four Motifs from the Eight Views of Xiao-Xiang

The Cleveland Museum of Art · Andrew R. and Martha Holden Jennings Fund

Museum

Four Motifs from the Eight Views of Xiao-Xiang

1788

ArtistaTani Bunchō (Japanese, 1763–1841)

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Técnica: Four album leaves from a set of eight remounted as hanging scrolls; ink and color on paper
Dimensiones: Each painting: 29.5 x 49 cm (11 5/8 x 19 5/16 in.); Each mounted: 129 x 67 cm (50 13/16 x 26 3/8 in.)
Clasificación: Painting
Estilo: ASIAN - Hanging scroll
Origen: Japan, Edo period (1615–1868)
Institución: The Cleveland Museum of Art
Abono: Andrew R. and Martha Holden Jennings Fund

Análisis de mercado

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Pruebas públicas

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Clasificado por pruebas

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Procedencia

Público

?–1980

(Katsuhiro Kobayashi, Tokyo, Japan, sold to the Cleveland Museum of Art)

1980–

The Cleveland Museum of Art, Cleveland, OH

Texto de procedencia de origen

(Katsuhiro Kobayashi, Tokyo, Japan, sold to the Cleveland Museum of Art) The Cleveland Museum of Art, Cleveland, OH

The Cleveland Museum of ArtFiabilidad 100%

Exposiciones

Público

Year in Review: 1980

The Lure of Painted Poetry: Japanese and Korean Art

To the River's South in Japanese Painting

Texto de exposiciones de origen

Year in Review: 1980. The Cleveland Museum of Art (organizer) (June 24-July 19, 1981). The Lure of Painted Poetry: Japanese and Korean Art. The Cleveland Museum of Art, Cleveland, OH (organizer) (April 15-August 21, 2011). To the River's South in Japanese Painting. The Cleveland Museum of Art, Cleveland, OH (organizer) (December 15, 2023-June 2, 2024).

The Cleveland Museum of ArtFiabilidad 100%

Resumen con fuentes Evidencias

These paintings were part of a set of album leaves representing the Eight Views of Xiao-Xiang, a theme originating in Chinese poetry and painting that spread to both Korea and Japan. Southern China’s Xiao-Xiang area, where the mist-covered banks of the Xiang River created a complex landscape shifting like the moods and minds of people, captured the imaginations of generations of painters and calligraphers. Inscriptions on these works suggest that they were possibly ordered by newly prominent Japanese Confucian scholars.

The Cleveland Museum of ArtFiabilidad 100%

Estado de las pruebas

Ventas observadas: 0 · Ventas comparables: 0 · Procedencia: 2 · Exposiciones: 3.

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