Los hechos de ventas observadas, pruebas comparables, historial del índice y estudios modelados permanecen separados.
Ventas públicas del mismo artista ordenadas por técnica, año de creación, dimensiones y antigüedad de venta.
Chen Yixi 陳奕禧 [1648–1709]
Li Yufen 李玉棻 [mid-1800s], Yangzhou, China
Wu Hufan 吳湖帆 [1894–1968], Shanghai, China
Qin Tongli 秦通理 [early 1900s]
(Frank Caro [1904–1980], New York, NY, sold to the Cleveland Museum of Art)
The Cleveland Museum of Art, Cleveland, OH
Chen Yixi 陳奕禧 [1648–1709] Li Yufen 李玉棻 [mid-1800s], Yangzhou, China Wu Hufan 吳湖帆 [1894–1968], Shanghai, China Qin Tongli 秦通理 [early 1900s] (Frank Caro [1904–1980], New York, NY, sold to the Cleveland Museum of Art) The Cleveland Museum of Art, Cleveland, OH
The Colors of Ink. Asia House Galleries (January 10-March 3, 1974); The Cleveland Museum of Art, Cleveland, OH (organizer) (April 9-May 12, 1974). The Plum Scenery Studio: Wu Hufan and His Circle in Modern Shanghai. The Cleveland Museum of Art, Cleveland, OH (organizer) (May 31-November 8, 2026). Conference on Oriental-Western Literary and Cultural Relations. Indiana University, Bloomington, IN (1974). Eight Dynasties of Chinese Painting. The Nelson-Atkins Museum of Art (November 7, 1980-January 4, 1981); The Cleveland Museum of Art (February 10-March 29, 1981); Tokyo National Museum (October 4-November 17, 1982).
Francesco Solimena (Italian, 1657–1747) · 1703
Artista · 1235
Anthony van Dyck (Flemish, 1599–1641) · 1623
Franz Ludwig Catel (German, 1778–1856) · 1824
Thomas Lawrence (British, 1769–1830) · 1794
Throughout his lifetime, Xiao Yuncong visited Nanjing and Yangzhou, cities embedded in the fertile and water-rich Jiangnan region, as reflected in his paintings. Xiao painted from nature, and his landscapes are informed by the seasons and his travels, as well as by his experience as a print designer. Xiao’s fresh, light colors continue to appear in later Shanghai school paintings. <br><br>This album was formerly in the collection of Li Yufen in Yangzhou and then owned by Wu Hufan in Shanghai. While the artist impressed his seal consistently below his poetic inscriptions in the upper parts of the composition, the red seals on the margins and in the lower corners of the paintings are impressions by the album’s previous owners.
Ventas observadas: 0 · Ventas comparables: 0 · Procedencia: 6 · Exposiciones: 2.