Beobachtete Verkäufe, Vergleichsnachweise, Künstlerindexhistorie und modellierte Forschung bleiben getrennt.
Öffentliche Verkäufe desselben Künstlers, geordnet nach Technik, Entstehungsjahr, Maßen und Aktualität des Verkaufs.
Palazzo Conti, Vicenza
Italico Brass, Venice, Italy.
Alessandro Brass sold to The Cleveland Museum of Art.
Palazzo Conti, Vicenza Italico Brass, Venice, Italy. Alessandro Brass sold to The Cleveland Museum of Art.
Genoese Masters, Cambiaso to Magnasco, 1550-1750. Dayton Art Institute, Dayton, OH (organizer) (October 19-December 2, 1962); John and Mable Ringling Museum of Art, Sarasota, FL (January 5-February 17, 1963); Wadsworth Atheneum Museum of Art, Hartford, CT (March 19-May 5, 1963). Art in Italy, 1600-1700. The Detroit Institute of Arts, Detroit, MI (organizer) (April 6-May 9, 1965). Mostra della pittura italiana, sei-e settecento italiano. Pitti Palace, Florence, Italy (1922). Mostra di Pittori Genovesi: del Seicento e del Settecento, Palazzo Real, Genoa, Italy (June–August 1938).
Gerrit van Honthorst (Dutch, 1590–1656) · 1615
Petrus Christus (Netherlandish, c. 1410–1475/76) · 1440
Künstler · 1755
Juan de Flandes (Netherlandish, c. 1460–1519) · 1496
Corneille de Lyon (Netherlandish, 1500/10–1574) · 1540
Jerome (c. 347–420 CE) studied Greek and Latin literature in Rome, but eventually pursued theology, perceiving his conduct as corrupt and sinful. Around 374 CE, Jerome had a vision of the Last Judgment in which an angel called him to task for his transgressions. Jerome then withdrew from society, learned Hebrew, and studied the Gospels, which led to his influential translations of the Bible. Langetti here follows a convention by depicting Jerome's vision after he retreated from the world. Working in the northern Italian port of Genoa, Langetti absorbed Caravaggio's impact, seen in the composition's naturalistic bodies and dramatic light.
Beobachtete Verkäufe: 0 · Vergleichsverkäufe: 0 · Provenienz: 3 · Ausstellungen: 2.