Beobachtete Verkäufe, Vergleichsnachweise, Künstlerindexhistorie und modellierte Forschung bleiben getrennt.
Öffentliche Verkäufe desselben Künstlers, geordnet nach Technik, Entstehungsjahr, Maßen und Aktualität des Verkaufs.
Myōshinji, Kaifuku'in, Kyoto, Japan
Reizei Tamechika [1823–1864]
Masuda Takashi [1848–1938]
(Howard Hollis and Company, Cleveland, OH, sold to the Cleveland Museum of Art)
The Cleveland Museum of Art, Cleveland, OH
Myōshinji, Kaifuku'in, Kyoto, Japan Reizei Tamechika [1823–1864] Masuda Takashi [1848–1938] (Howard Hollis and Company, Cleveland, OH, sold to the Cleveland Museum of Art) The Cleveland Museum of Art, Cleveland, OH
Japanese Picture Scrolls. Tokyo National Museum, Tokyo, Japan (organizer) (October 9-November 24, 1974). Reflections of Reality in Japanese Art. The Cleveland Museum of Art, Cleveland, OH (organizer) (March 16-May 1, 1983). Emaki. Kyoto National Museum, Kyoto, Japan (organizer) (March 21-April 30, 1987). Asian Autumn: Masterpieces from the Collection. The Cleveland Museum of Art, Cleveland, OH (organizer) (September 17, 1991-January 5, 1992). Highlights of Asian Paintings from The Cleveland Museum of Art. Nara National Museum (organizer) (February 21-March 29, 1998); Suntory Museum of Art (April 28-June 21, 1998). Streams and Mountains Without End: Asian Art and the Legacy of Sherman E. Lee at the Cleveland Museum of Art. The Cleveland Museum of Art, Cleveland, OH (organizer) (June 27-August 23, 2009). Admired from Afar: Masterworks of Japanese Painting from the Cleveland Museum of Art. Tokyo National Museum, Tokyo, Japan (January 15-February 23, 2014); Kyushu National Museum, Fukuoka, Japan (July 8-August 31, 2014). Stories in Japanese Art. The Cleveland Museum of Art, Cleveland, OH (organizer) (October 8, 2021-April 3, 2022). Main Asian Rotation (Gallery 120). The Cleveland Museum of Art, Cleveland, OH (March 4-July 22, 2003).
Master of the Krainburg Altar (Austrian, active c. 1485–1510) · 1495
Matsumura Goshun (Japanese, 1752–1811) · 1785
Joseph Badger (American, born The Thirteen Colonies, 1708–1765) · 1753
Künstler · 1700
Yu Zhiding (Chinese, 1647–c. 1716) · 1703
This handscroll shows the second half of an odd tale in which a ne’er-do-well seeks the path to quick fortune and learns the art of musical flatulence. Prior to a major performance, a mentor (and competitor) advises him to consume morning glory seeds, a laxative. Thus, while performing he fouls himself and ends his days in humiliation. <br><br>The audacious nature of this story and its presentation—well-animated figures with dialogue adjacent to the appropriate moments of action—create a primitive graphic novel. Japanese visual humor about farting preceded this story, but the satirical, mean-spirited twist in this tale suggests its intent was not merely to be humorous. The story was likely commissioned by court officials who disapproved of common performers rising to high positions, outflanking what was the accepted social order.
Beobachtete Verkäufe: 0 · Vergleichsverkäufe: 0 · Provenienz: 5 · Ausstellungen: 8.