Vergleichsverkäufe
Öffentliche Verkäufe desselben Künstlers, geordnet nach Technik, Entstehungsjahr, Maßen und Aktualität des Verkaufs.
Beobachtete Verkäufe, Vergleichsnachweise, Künstlerindexhistorie und modellierte Forschung bleiben getrennt.
Öffentliche Verkäufe desselben Künstlers, geordnet nach Technik, Entstehungsjahr, Maßen und Aktualität des Verkaufs.
Tadamasa Hayashi collection, Paris.
New York, American Art Galleries sale, Tadamasa Hayashi collection, 8-9 January 1913 (lot 126, repr....
Robert Laurent, Ogunquit, Maine.
New York sale, 16 December 1970 (lot 11, repr.), Autoportrait.
Mr. and Mrs. Noah L. Butkin, Cleveland. Given to the CMA on 19 December 1980.
Tadamasa Hayashi collection, Paris. New York, American Art Galleries sale, Tadamasa Hayashi collection, 8-9 January 1913 (lot 126, repr.), Portrait d'homme, Ernest Le Véel, Paris. Versailles sale, 11, 13 June 1968 (lot 100), Autoportrait, 38 x 46 cm [reversed], signed lower right. Robert Laurent, Ogunquit, Maine. New York sale, 16 December 1970 (lot 11, repr.), Autoportrait. Mr. and Mrs. Noah L. Butkin, Cleveland. Given to the CMA on 19 December 1980.
Year in Review: 1980. The Cleveland Museum of Art (organizer) (June 24-July 19, 1981). Impressionism to Modernism: The Keithley Collection. The Cleveland Museum of Art, Cleveland, OH (organizer) (September 11, 2022-January 8, 2023).
Armand Guillaumin created numerous self-portraits throughout his career. In this early example, the muted, brown tones and somber gaze downward in the painting convey seriousness, while the vivid blue, orange, green, and yellow colors in <em>Self-Portrait</em> (2020.129) suggest a confidence echoed by the artist’s direct gaze. Both emotions were experienced by Guillaumin around this time, as he sought to establish himself as a professional artist alongside a full-time job for the French railway system.
Beobachtete Verkäufe: 0 · Vergleichsverkäufe: 0 · Provenienz: 5 · Ausstellungen: 2.