Beobachtete Verkäufe, Vergleichsnachweise, Künstlerindexhistorie und modellierte Forschung bleiben getrennt.
Öffentliche Verkäufe desselben Künstlers, geordnet nach Technik, Entstehungsjahr, Maßen und Aktualität des Verkaufs.
S. Maria della Scala, Siena
Johann Anton Ramboux, Cologne (bought in Siena, c. 1838)
(Cologne Sale May 1867)
A. Muller, Dusseldorf, sold to the Hohenzollern Family
Hohenzollern family, Sigmaringen
Baron Adolphe Stoclet, Brussels
(R. Heinemann, New York, sold to the Cleveland Museum of Art)
S. Maria della Scala, Siena Johann Anton Ramboux, Cologne (bought in Siena, c. 1838) (Cologne Sale May 1867) A. Muller, Dusseldorf, sold to the Hohenzollern Family Hohenzollern family, Sigmaringen Baron Adolphe Stoclet, Brussels (R. Heinemann, New York, sold to the Cleveland Museum of Art) The Cleveland Museum of Art, Cleveland, OH
Golden Anniversary of Acquisitions. The Cleveland Museum of Art, Cleveland, OH (organizer) (September 10-October 16, 1966). Lust und Verlust: Kölner Sammler zwischen Trikolore und Preussenadler (Joy and Loss: Cologne Collectors between the tricolore and the Prussian eagle). Josef Haubrich Kunsthalle (October 24, 1995-January 14, 1996). Sanctity Pictured: The Art of the Dominican and Franciscan Orders in Renaissance Italy. Frist Art Museum, Nashville, TN (organizer) (October 31, 2014-January 25, 2015).
Saint Catherine (1347–1380) was the daughter of a prosperous Sienese cloth dyer. At the age of six, she saw a vision of Christ and thereafter dedicated herself to chastity, penance, and good works. She became extremely popular in Siena when she selflessly cared for the sick and dying victims of the bubonic plague, known as the Black Death. These panels were once part of a predella (or pedestal) of a large altarpiece painted for the Hospital Church of Siena. The main scene of this altarpiece, showing the Presentation of Christ in the Temple (now preserved in Siena) was ordered by the Pork Butchers Guild (the Pizzicaiuoli) in 1447. The predella was added later when Catherine was canonized in 1461. In the first panel she kneels before an altar and reaches up to choose from the monastic garments offered by Saints Dominic, Augustine, and Francis, all founders of religious orders. Catherine takes the habit of Saint Dominic, which she wore as the founder of the Sisters of Penance. The second panel shows, at the right, Saint Catherine giving her cloak to a threadbare beggar. The beggar was really Christ in disguise, and at the left he returns the cloak to her. For this act of charity, the cloak perpetually protected its wearer from the cold.
Beobachtete Verkäufe: 0 · Vergleichsverkäufe: 0 · Provenienz: 8 · Ausstellungen: 3.