Beobachtete Verkäufe, Vergleichsnachweise, Künstlerindexhistorie und modellierte Forschung bleiben getrennt.
Öffentliche Verkäufe desselben Künstlers, geordnet nach Technik, Entstehungsjahr, Maßen und Aktualität des Verkaufs.
(Mayuyama and Company, Tokyo, Japan, sold to the Cleveland Museum of Art)
The Cleveland Museum of Art, Cleveland, OH
(Mayuyama and Company, Tokyo, Japan, sold to the Cleveland Museum of Art) The Cleveland Museum of Art, Cleveland, OH
Year in Review: 1980. The Cleveland Museum of Art (organizer) (June 24-July 19, 1981). Reflections of Reality in Japanese Art. The Cleveland Museum of Art, Cleveland, OH (organizer) (March 16-May 1, 1983). Portraiture: The Image of the Individual. The Cleveland Museum of Art, Cleveland, OH (organizer) (November 22, 1983-January 22, 1984). The Twain Shall Meet. The Cleveland Museum of Art, Cleveland, OH (organizer) (October 30, 1985-January 5, 1986). Highlights of Asian Paintings from The Cleveland Museum of Art. Nara National Museum (organizer) (February 21-March 29, 1998); Suntory Museum of Art (April 28-June 21, 1998). Streams and Mountains Without End: Asian Art and the Legacy of Sherman E. Lee at the Cleveland Museum of Art. The Cleveland Museum of Art, Cleveland, OH (organizer) (June 27-August 23, 2009). Admired from Afar: Masterworks of Japanese Painting from the Cleveland Museum of Art. Tokyo National Museum, Tokyo, Japan (January 15-February 23, 2014); Kyushu National Museum, Fukuoka, Japan (July 8-August 31, 2014). Japanese Gallery 235 Rotation. The Cleveland Museum of Art (organizer) (January 7-July 8, 2019). Later Japanese Rotation (Gallery 113). The Cleveland Museum of Art, Cleveland, OH (March 18-July 13, 2004).
Sōami (Japanese, d. 1525) · 1500
Li Shan (Chinese, c. 1686–1762) · 1747
Künstler · 1500
Johann König (German, 1586–1642) · 1600
Liu Tao (Chinese, late 1000s–early 1100s) · 1100
Over seven feet tall, Ōzora Buzaemon became a tabloid sensation when he arrived in Edo (Tokyo) in 1827 . His handprints were cherished souvenirs, and his image was sold on woodblock prints. As inscriptions on the scroll detail, Watanabe Kazan met Buzaemon at the residence of a noted Confucian scholar. Using a camera obscura–type device—a tool that uses light to project an image onto a surface—he made this preliminary drawing for a painting. The portrayal depicts Buzaemon’s discomfort in being stared at.
Beobachtete Verkäufe: 0 · Vergleichsverkäufe: 0 · Provenienz: 2 · Ausstellungen: 8.