Beobachtete Verkäufe, Vergleichsnachweise, Künstlerindexhistorie und modellierte Forschung bleiben getrennt.
Öffentliche Verkäufe desselben Künstlers, geordnet nach Technik, Entstehungsjahr, Maßen und Aktualität des Verkaufs.
Jean-Baptiste Lemoyne the Younger (1704-1778), Paris, France, by inheritance to the Lemoyne Family
Lemoyne Family, by inheritance to Yves Le Moyne
Yves Le Moyne, sold through Hotel Drouot
Sale: Hotel Drouot, Paris, France, February 5, 1912, lot 76
Paul J. Vignos, Jr. (1919-2010), Cleveland, OH, upon his death, held in trust by the estate.
Estate of Paul J. Vignos, Jr., by bequest to the Cleveland Museum of Art
The Cleveland Museum of Art, Cleveland, OH
Jean-Baptiste Lemoyne the Younger (1704-1778), Paris, France, by inheritance to the Lemoyne Family Lemoyne Family, by inheritance to Yves Le Moyne Yves Le Moyne, sold through Hotel Drouot Sale: Hotel Drouot, Paris, France, February 5, 1912, lot 76 Paul J. Vignos, Jr. (1919-2010), Cleveland, OH, upon his death, held in trust by the estate. Estate of Paul J. Vignos, Jr., by bequest to the Cleveland Museum of Art The Cleveland Museum of Art, Cleveland, OH
Johann König (German, 1586–1642) · 1600
Jacometto Veneziano (Italian, 1497) · 1485
Wu Li (Chinese, 1632–1718) · 1670
Claude Monet (French, 1840–1926) · 1868
Simon Vouet (French, 1590–1649) · 1625
This signed portrait reinterprets a well-known pastel by Maurice-Quentin de La Tour of the important French sculptor Jean-Baptiste Lemoyne the younger (1704–1778). The sculptor, seen toward the end of his life, appears in working garb. His close-cropped grey hair, frank, observant stare, and bemused smile all demonstrate the closeness of the young painter to the elder sculptor. The work also speaks to Vigée-LeBrun’s interest in naturalistic portraiture (as opposed to her more formal, commissioned portraits), and—in the handling of the paint as well as her source image—her debt to pastel painting, her original medium.
Beobachtete Verkäufe: 0 · Vergleichsverkäufe: 0 · Provenienz: 7 · Ausstellungen: 0.